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Perpetually Cool
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Anna May Wong
Anna May Wong remains one of Hollywood's best-known Chinese American actors. Between 1919 and 1960, Anna May Wong starred in over fifty movies, sharing billing with stars such as Douglas Fairbanks Sr., Marlene Dietrich, Joan Crawford, Ramon Novarro, and Warner Oland. Her life, though, is the prototypical story of an immigrant's difficult path through the prejudices of American culture. Born in Los Angeles in 1905, she was the second daughter of seven children born to a laundryman and his wife. Childhood experience fueled her fascination with Hollywood. By 1919 she secured a small part in her first film, The Red Lantern, and she continued to act up until her death. Her most famous film roles ...
Anna May Wong
Anna May Wong, born in Los Angeles in 1905 to a Chinese family that did not support her ambition, is the only Asian-American actress to have achieved stardom during Hollywood's Golden Age. Staying single to avoid endangering her career, she became the darling of the intelligentsia, inspiring poems, songs, and crowds of admirers in the British Isles, Europe, and China. She leaves a legacy of some 60 film appearances, numerous stage and television shows, and several radio spots. This book covers Anna May Wong's entire career and personal life. Detailed filmographic entries, with critical commentary as well as cast and technical credits, synopses, and newspaper and magazine reviews, are followed by Wong's stage work and radio and television appearances.
Anna May Wong
This title provides a biography of Anna May Wong who is undoubtedly, one of the best known and most popular Chinese-American actresses ever to have graced the silver screen. Between 1919 and 1960 she starred in over 50 movies.
Anna May Wong
Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.
China Doll
Typescript, dated copyright April 2005. Lightly marked script used for the Pan Asian Repertory production in the West End Theater, 233 West 86th Street, New York, N.Y., which opened April 2, 2005, directed by Tisa Chang. The play is based on the life and motion picture career of actress Anna May Wong, but it is not entirely factual.
The Story of Movie Star Anna May Wong
"The story of Anna May Wong, a Chinese American actress who advocated for authentic depictions of Asians and Asian Americans in film during the early years of Hollywood. Includes sidebars on related topics, timeline, and glossary"--
Anna May Wong's Lucky Shoes
A book chronicling the 1939 visit of famous movie star Anna May Wong to Australia, coupled with a contemporary design project - new lucky shoes for the star - written and curated by University of Melbourne based senior lecturer Derham Groves.
Shining Star
The true story of Chinese American film star Anna May Wong, whose trail-blazing career in Hollywood in the 1930s and 1940s broke new ground for future generations of Asian American actors.
Picasso's Tears
Poetry. Written over the past 35 years, PICASSO'S TEARS is an epic account of Wong May's incisive, empathic, and visionary engagement with our strange and violent world. Politically inflamed and intensely personal, this fourth book of poems by Wong May marks the long-awaited re-emergence of a major, miraculous voice.
