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Maya Rochat: A Rock Is a River
A Rock is a River, a new book by Swiss artist Maya Rochat, binds the alchemy of photography with the physicality of painting. Rochat creates organic patterns, chromatic alterations and visual ruptures that generate a slow, ongoing process of images mutating, reflecting a world in permanent flux. In the long tradition of artists' books as artworks in their own right, Rochat understands the space of a publication as site-specific, and has conceived a series of works for the form of the publication, taking into account the possibilities of layout and printing experimentation. Drawing from the past two years of her photographic production, she revisits and interweaves images in various scales an...
Crystal clear
The symbolically laden, analog and digital works of the young Swiss artist Maya Rochat probe the depths of the photographic plane. Using her own writing and fragments of found images, she modifies her photographs to create radically associative compositions. She sources her own immediate surroundings, weaving portraits of friends and shots of landscapes into a dense, intimate visual fabric that is scratched, dissected, and reassembled with almost militant surgical intervention. The bitter, beautiful universe that surfaces in Crystal Clear patently eludes conventional codes of interpretation, relentlessly undermining the usual visual cliches and notions of beauty propagated by the media.
Shape of Light
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, the catalogue then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920's and 1930's. It then mov...
ECAL
This book features the works of photography students from one of the world's most prestigious art colleges--ECAL in Switzerland, which trains graphic artists, designers, typographers, filmmakers and photographers. It includes interviews with visiting professors, including Oliver Broomberg, Jason Evans, Paolo Roversi and Joachim Schmid.
Museums and Digital Culture
This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and globa...
African Canvas
Over a period of three years' travel, acclaimed photojournalist Margaret Courtney-Clarke has documented the artifacts and traditional art of West African women, particularly their brilliantly colored and dynamic wall painting. "The beauty of African Canvas takes the breath away".--The New York Times Book Review. 181 color photographs.
Why Photography?
Henie Onstad Kunstsenter has been groundbreaking for almost 50 years in presenting new and experimental art, and is a historical place for photography in Norway.Edited by MELK together with Susanne Østby Sæther (HOK) Why Photography? highlights and go into depth on the current generation of photographers and functions as a reference publication for the years to come.They ask artists to state, with words and images, how they see and relate to photography as a technical apparatus, and why they have chosen photography as well as the potential future of the medium. Rather than being a classic scholarly publication, the goal is to release a visual manifesto that outlines many and varied viewpoi...
The Book of Images
This "Book of Images" comes as a true storm, full of ideas on how to think differently about photography and context. How can they blend in with each other, enhance each other or clash with each other? This is a unique dictionary of visual experiences featuring more than 250 artists such as John Baldessari, JR, Christian Marclay, Daido Moriyama, Martin Parr and Cindy Sherman.00Exhibition: Festival Images Vevey, Switzerland (2018).
Maya Rochat. A Plastic Tool
A plastic tool' is the new photobook by Maya Rochat. The book questions the value of the contemporary image, using strategies of détournement and deconstruction to form complex visual ensemble, based on her photographic photographs. Interweaving these images with the print technology, she creates multi-fold narratives. The book is printed making use of various print technologies – Offset, stencil print and silkscreen – that overlaps on the page, producing a unique materiality. Conceived in layers, the works evolve in the expanded fields of photography, collage and painting, blurring the borders between anagogic, manual and digital. It invites the spectator into an organic universe, exploring emotional and conceptual readings.0For their third editorial project together, Maya Rochat and Delphine Bedel are exploring further the haptic relation between print and photography, in a cutting-edge publishing experiment. 0 0Exhibition: Centre d'Art Contemporain Geneve, Switzerland (16.05-14.06.2015).
