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McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition
Items in container: Main book -- Aleatory fiction [booklet] -- Voicemails to the editor -- Crypto acoustic auditory non-hallucatination -- Audio tours of your home -- Get on board -- KidzWorks! -- Douteflower -- ClearVoice -- Speculation, N. -- Clinical judgment.
Presents a collection of stories from around the world, including five stories set in Kenya.
McSweeney's ever-changing Quarterly Concern returns with our 63 issue featuring a tribute to (and previously unpublished stories by) the acclaimed late author Stephen Dixon. Ever changing, each issue of the quarterly is completely redesigned (there has been an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail) but always brings you the very best in new literary fiction. Recent McSweeney's stories have won or been shortlisted for the National Magazine Award, the Pushcart Prize, The Caine Prize for African Literature, and been included in various Best American anthologies among other honours. 'A key barometer of the literary climate.' -- The New York Times 'The first bona fide literary movement in decades.' -- Slate
McSweeney's Quarterly returns with our first-ever queer lit issue, promising you a brilliant boundry expanding volume of original work. "A key barometer of the literary climate." --The New York Times "McSweeney's is so much more than a magazine; it's a vital part of our culture. " --Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasiand Otherwise Known as the Human Condition
In the wise and beautiful second collection from the acclaimed, Pulitzer Prize-winning #1 New York Times bestselling author of All the Light We Cannot See, and Cloud Cuckoo Land, "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" (The New York Times Book Review). Set on four continents, Anthony Doerr's new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkne...
A latest quarterly anthology by the two-time National Magazine Award-winning literary journal features entries by forefront and up-and-coming writers, as well as an eccentric design.
Issue 56 delivers new work from Michelle Tea, Jose Antonio Vargas, T. C. Boyle, Dantiel W. Moniz, Genevieve Hudson, Jincy Willett, to name a few, and a section of staggering fiction from emerging Nigerian writers soon to be household names, with an introduction by Chimamanda Ngozi Adichie. There are botched home invasions and perception-heightening witchcraft, disillusioned mailmen and playlists for the comatose, posthumous visits from lovers and nail-biting prison breaks. And, if that weren't enough, this opulent hardcover issue also includes a captivating ten-page illustrated story by Rui Tenreiro that begins on the cover, and poems by Soviet-era absurdist Daniil Kharms, translated by Ilya Kaminsky and Katie Ferris. Time to cancel your plans--something more important has come up.
With tremendous new stories from Steven Millhauser and Roddy Doyle, an epic, genre-shattering novella from Hilton Als, and a really excellent special section on Norway's finest writers (featuring not just Per Petterson but also Kid Icarus and a woman named Blind Margjit)--along with, probably, correspondence from a man we can't yet name and an unbelievable disappearing-ink cover done by Jordan Crane--Issue 35 is a full-to-bursting edition in the tradition of the best ones we've ever done. For several hundred pages of unrivaled summer reading, this is your book.
This new and brilliant issue of McSweeney'scomes in three parts, held together by a magnet. In the first, poets including Michael Ondaatje and Denis Johnson initiate poet-chains, picking a poem of their own and one by another poet, who then does the same, and so on. In the second, F. Scott Fitzgerald provides unused story premises first catalogued in The Crack-Up; his mission is completed by new writers. In the third, the president of France's legendary Oulipians offers a rare glimpse into his group's current experiments with linguistic constraint. Freedom's just another word for nothing left to lose . . .