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McSweeney's Issue 65 (McSweeney's Quarterly Concern)
McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition
Mcsweeney's Issue 64
Items in container: Main book -- Aleatory fiction [booklet] -- Voicemails to the editor -- Crypto acoustic auditory non-hallucatination -- Audio tours of your home -- Get on board -- KidzWorks! -- Douteflower -- ClearVoice -- Speculation, N. -- Clinical judgment.
People Want to Live
Set primarily in Pakistan, these award-winning stories follow people living on the brink of abandonment - in their personal relationships and their place in the world. A mother, coping with the sudden death of her son, uncovers long buried secrets in his absence. An anguished girl grabs a chance for a life beyond the orphanage walls where she lives and discovers the price of freedom. A young couple tries to keep their fraught relationship steady as a heat wave engulfs their city. A son returns to visit his ageing parents while beset with memories of a troubled childhood. And two thieves find themselves in a situation more precarious by the minute, and more dangerous than their original mission. Farah Ali's debut collection of thirteen stories, People Want to Live features stories of togetherness and reckless faith in the face of a world that's built to break us. Her characters mount battle with loneliness and in their fight reveal surprising vulnerabilities and an astonishing measure of hope.
McSweeney's 47
A latest quarterly anthology by the two-time National Magazine Award-winning literary journal features entries by forefront and up-and-coming writers, as well as an eccentric design.
McSweeney's Issue 30
Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable--even if the fate of nations rests on your weary shoulders. You should still read Issue 30.
Mcsweeney's Quarterly Issue 62
McSweeney's Quarterly returns with our first-ever queer lit issue, promising you a brilliant boundry expanding volume of original work. "A key barometer of the literary climate." --The New York Times "McSweeney's is so much more than a magazine; it's a vital part of our culture. " --Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasiand Otherwise Known as the Human Condition
McSweeney's
With tremendous new stories from Steven Millhauser and Roddy Doyle, an epic, genre-shattering novella from Hilton Als, and a really excellent special section on Norway's finest writers (featuring not just Per Petterson but also Kid Icarus and a woman named Blind Margjit)--along with, probably, correspondence from a man we can't yet name and an unbelievable disappearing-ink cover done by Jordan Crane--Issue 35 is a full-to-bursting edition in the tradition of the best ones we've ever done. For several hundred pages of unrivaled summer reading, this is your book.
McSweeney's Issue 64 (McSweeney's Quarterly Concern)
McSweeney's ever-changing Quarterly Concern returns with our 63 issue featuring a tribute to (and previously unpublished stories by) the acclaimed late author Stephen Dixon. Ever changing, each issue of the quarterly is completely redesigned (there has been an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail) but always brings you the very best in new literary fiction. Recent McSweeney's stories have won or been shortlisted for the National Magazine Award, the Pushcart Prize, The Caine Prize for African Literature, and been included in various Best American anthologies among other honours. 'A key barometer of the literary climate.' -- The New York Times 'The first bona fide literary movement in decades.' -- Slate
I Know What's Best for You
This explosive, intersectional collection of essays, fiction, poems, plays, and more, explores the universality of human reproductive experiences, as well as their distinct individuality. Twenty-eight contributors examine issues both timely and, somehow, timeless: policing of women's bodies, the choice to live child-free lives, the lack of access to reproductive health, the misogyny, racism, and other forms of bigotry inherent throughout in the medical system, and the fear of what the future might hold. A naval officer must choose between her military career or keeping an unexpected pregnancy. A mother of three decides to become a surrogate, but is unprepared for everything that happens next...
Toxicon & Arachne
'The power of McSweeney's work cannot be separated from its association with forms of oracle and soothsaying, and so it is uncanny that it should arrive in the middle of a global pandemic... Frightening and brilliant' Dan Chiasson, New Yorker How does the body gestate grief? How does toxicity birth catastrophe? In the months leading up to her daughter Arachne's birth, US poet Joyelle McSweeney set out to write a quiver of poems like a quiver of poison arrows: formally and sonically virtuosic, laced with the poet's obsessive concerns with contamination, decay and the sublime, featuring a crown of 'toxic sonnets' for the tuberculosis bacterium that killed Keats. But when Arachne was born with an unexpected birth defect, lived briefly and died, the poet was visited by a second welter of poems, odes of love, grief, perplexity and rage. These two books, Toxicon & Arachne, form a double collection of poems weighing love, grief, art and survival in increasingly toxic days. Toxicon & Arachne is the culmination of eight years of engagement with lyric under a regime of global and personal catastrophes.
