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Authorial Personality and the Making of Renaissance Texts
Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.
Shakespeare Unlearned
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotli...
Syrene Soundes
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false rel...
Botanical Poetics
During the middle years of Queen Elizabeth’s reign, the number of books published with titles that described themselves as flowers, gardens, or forests more than tripled. During those same years, English printers turned out scores of instructional manuals on gardening and husbandry, retailing useful knowledge to a growing class of literate landowners and pleasure gardeners. Both trends, Jessica Rosenberg shows, reflected a distinctive style of early modern plant-thinking, one that understood both plants and poems as composites of small pieces—slips or seeds to be recirculated by readers and planters. Botanical Poetics brings together studies of ecology, science, literary form, and the ma...
Shakespeare's Blank Verse
Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter). It ranges from the continental precursors of English blank verse in the early sixteenth century through thedrama and poetry of Shakespeare's contemporaries to the editing of blank verse in the eighteenth century and beyond.Alternative in its argumentation as well as its arguments, Shakespeare's Blank Verse tries out fresh ways of thinking about meter--by shunning doctrinaire methods of apprehending a writer's versification, and by reconnecting meter to the fundamental literary, dramatic, historical, and socialquestions that animate Shakespeare's drama.
Practices of Ephemera in Early Modern England
This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephemera in a period before it was routinely employed (from the eighteenth century) to describe ostensibly disposable print? In the sixteenth and seventeenth centuries—when objects and texts were rapidly proliferating—the term began to acquire its modern association with transitoriness. But contributors to this volume show how ephemera was also integrally related to wider social and cultural ecosystems. Chapters explore those ecosystems and think about the papers and artefacts that shaped homes, streets, and cities or towns and their attendant preservation, loss, or transformation. The studies here therefore look beyond static records to think about moments of process and transmutation and accordingly get closer to early modern experiences, identities, and practices.
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and tradi...
Selected Essays on George Gascoigne
This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth’s reign. His ceaseless experimentation was hugely influential on those later Elizabethans - including Spenser, Sidney and Shakespeare - who represent the great flowering of the English literary renaissance. Gascoigne rarely returned to a genre, writing prose fiction, blank verse, plays, sonnets, narrative verse, courtly entertainments, satire and many other literary forms, and the later Elizabethans were fully aware of his significance. These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne’s influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.
Individualism
Individualism: The Cultural Logic of Modernity explores ideas of the modern sovereign individual in the western cultural tradition. Divided into two sections, this volume surveys the history of western individualism in both its early and later forms: chiefly from the sixteenth to the eighteenth centuries, and then individualism in the twentieth century. These essays boldly challenge not only the exclusionary framework and self-assured teleology, but also the metaphysical certainty of that remarkably tenacious narrative on 'the rise of the individual.' Some essays question the correlation of realist characterization to the eighteenth-century British novel, while others champion the continuing...
