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This book addresses the central crisis in critical theory today: the attempts to theorize the subject as both a construct of discourse and a dialogical agent. In Theorising Textual Subjects, Meili Steele argues that it is possible to understand the postmodern subject as an active political agent. Steele argues that some of the most influential theories of agency fail to account for the ethical implications of the supposed contingency of all contexts. Through wide reference to leading political, philosophical and critical thinkers, this book maps new ways of confronting the problem of how politics and ethics are deployed in imaginative narratives.
First published in 1996. This comparative study investigates thematic and technical similarities in the works of the two authors who shared a cultural heritage and achieved comparable status in their separate literary traditions. Drawing upon theories by Bloom, Bakhtin, and Lacan, the book examines ways in which Henry James and Thomas Mann treat the creative artist and analyze the creative and interpretive processes in their fiction. The texts covered range from early works to their great modern novels: The GoldenBowland Doctor Faustus To a great extent, the similarities between the works stem from the authors' preoccupation with artistic responsibility. Adopting Bloom's claim that the creative activity is an interpretive one, and that the reader, as well as the writer, interprets a text into being the book also investigates the reader's responsibility in confronting the dilemmas challenging James' and Mann's artist figures. Such challenges are "the dangers of interpretation" discussed in this book. Index. Bibliography.
Merleau-Ponty's categories of the visible and the invisible are investigated afresh and with originality in this penetrating collection of literary and philosophical inquiries. Going beyond the traditional and current references to the mental and the sensory, mind and body, perceptual content and the abstract ideas conveyed in language, etc., these studies range from the `hidden spheres of reality', to the play of the visible and the invisible left as traces in works of human genius, the origins of intellect and language, the real and the imaginary in literature, and the `hidden realities' in the philosophy of the everyday world. These literary and philosophical probings collectively reveal the role of this disjoined/conjoined pairing in the ontopoietic establishment of reality, that is, in the manifestation of the logos of life. In tandem they bring to light the hidden play of the visible and the invisible in the emergence of our vital, societal, intimate, intellectual, and creative involvements.
The classic conception of human transcendental consciousness assumes its self-supporting existential status within the horizon of life-world, nature and earth. Yet this assumed absoluteness does not entail the nature of its powers, neither their constitutive force. This latter call for an existential source reaching beyond the generative life-world network. Transcendental consciousness, having lost its absolute status (its point of reference) it is the role of the logos to lay down the harmonious positioning in the cosmic sphere of the all, establishing an original foundation of phenomenology in the primogenital ontopoiesis of life.
Fifteen essays examine the work of German philosopher Hans Georg Gadamer to provide feminist interpretations of his views on science, language, history, literature, and other topics.
In March 2015, a group of experts from four continents and a wide range of disciplines met with the leading African American writer Ishmael Reed in Mulhouse, France, and Basel, Switzerland. Guided by Swiss cultural and literary theorist Sämi Ludwig, and deliberately migrating back and forth across a political border in the heart of Europe, they not only listened to Reed and discussed his work, but also looked more widely at the different meanings assigned to “multiculturalism” in the United States, Europe, and other parts of the world. This volume brings together their reflections.
This book analyzes the reciprocating collision between Henry James and American journalism during his 1904-1905 tour. It charts James' progress as he gathers the impressions upon which he will base his 'theory of America.' If James arrives as a 'restored absentee' seeking a renewed relationship with his homeland, the press greets his return with reverence for his status combined with disdain for his prose.
DIVA study of memory regimes in popular and official Chilean thought./div
The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography.
At a time when the integration of the European Union's peoples through the rule of law is faltering, this book develops a critical theory of postnational constitutionalism. Today, widely held conceptions of EU law continue to mislead citizens about the nature of political identity, sovereignty, and agency. They lose sight of a critical idea on which post-nationalism depends-that constitutional self-authorship is narrative, and the polity is a subject whose identity, history, and legacy are still in formation. Absent this vision, EU law reproduces crises of legitimacy: the depoliticization of public life; emergency rule by executive decree; a collapse of solidarity; and the rise of nativist m...