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My Darling Mick is an engaging biography of a colourful Australian personality, General Sir Granville Ryrie. Much of Ryrie's story is told through a series of candid letters, written to his wife, Mary, whom he affectionately called Mick, which describing the gruelling conditions endured by Australian troops during the Boer War and the First World War.
Fears and Fantasies: Modernity, Gender, and the Rural-Urban Divide explores the ways in which fantasies about returning to, or revitalising, rural life helped to define Western modernity in the early twentieth century. Scholarship addressing responses to modernity has focused on urban space and fears about the effects of city life; few studies have considered the 'rural' to be as critical as the 'urban' in understanding modernity. This book argues that the rural is just as significant a reference point as the urban in discourses about modernity. Using a rich Australian case study to illuminate broader international themes, it focuses on the role of gender in ideas about the rural-urban divide, showing how the country was held up against the 'unnatural' city as a space in which men were more 'masculine' and women more 'feminine'. Fears and Fantasies is an innovative and important contribution to scholarship in the fields of history and gender studies.
Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the ‘jet age’ of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy.
Catherine Helen Spence, an unparalleled advocate of women's rights in Australia and the world, is now recognized as an important predecessor to the Feminist movement. Her autobiography, composed while on her deathbed and enhanced with scholarly annotation from two Spence scholars, reveals a woman both in and ahead of her time.
Political communities are defined, and often contested, through stories. Scholars have long recognized that two foundational sets of stories � narratives of contact and narratives of arrival � helped to define settler societies. Storied Communities disrupts the assumption that Indigenous and immigrant identities fall into two separate streams of analysis. The authors juxtapose narratives of contact and narratives of arrival as they explore key themes such as narrative form, the nature of storytelling in the political realm, and the institutional and theoretical implications of foundation narratives. By doing so, they open up new ways to imagine, sustain, and transform political communities.
Over the last two decades, asylum has become a highly charged political issue across developed countries. This book draws upon political and ethical theory and an examination of the experiences of the United States, Germany, the United Kingdom and Australia to consider how to respond to the challenges of asylum. In addition to explaining why asylum has emerged as such a key political issue, it provides a compelling account of how states could move towards implenting morally defensible responses to refugees.
E. G. Theodore, one of Australia's most enterprising and unusual political figures, was Treasurer and Premier of Queensland and later Federal Treasurer and Deputy Prime Minister of Australia in the Scullin Labor government.
A serious small-town cop. An off-limits stranger. And a treasure hunt that threatens to tear their town apart… Marcus is a man who lives in a world of rules. One of them is to never get romantically involved with anyone who could affect his job. But when the town’s hermit mysteriously passes, a stunning stranger arrives, bringing trouble of a different kind… Wren is searching for answers, trying to decipher the cryptic clues left by the last member of her infamous family. Making it the wrong time for her to fall for the big and beautiful detective sergeant. Trying to keep their relationship strictly professional only fuels their attraction because they’ve never felt more at home—or...
Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.
This timely book is the first to explore the physical and intangible legacies of historic and contemporary dark tourism sites, and the contribution such sites make to place identity. It achieves this by critically reviewing the marketing, management and interpretation of contemporary and historic sites associated with death, disaster, atrocity and related events from a wide range of geographical locations. In doing so the book proposes a compose model for discussing place identity and dark tourism which will provide further understanding about these increasingly popular destinations.