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The definitive biography, now updated to include the death of Robin Gibb in May 2012. The Bee Gee's journey from Fifties child act to musical institution is one of pop's most turbulent legends. Barry, Maurice and Robin Gibb somehow managed to survive changing musical fashions and bitter personal feuds to create musical partnership that has already lasted four times as long as The Beatles. Described by the authors as their objective tribute, this unflinching biography chronicles everything - the good, the bad... and the bushed-up. Youthful delinquency, disastrous marriages, bitter lawsuits, gay sex scandals, serious drug problems and the death of younger brother Andy have sometimes made the p...
In April 1967, the Bee Gees launched themselves onto the international music scene with the release of ‘New York Mining Disaster 1941’. Whilst that haunting classic would be the first of many hits, the Bee Gees consisting of brothers Barry, Robin and Maurice Gibb had been releasing records since 1963. As extraordinary as it sounds, with more than ten years of performing and four years of recording behind them, the Gibb twins, Robin and Maurice, were just seventeen while elder brother Barry was only twenty. In an incredible career the Bee Gees would go on to sell over 200 million records, making them among the best\-selling music artists of all time, they would be inducted into the Rock a...
From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation ...
The Bee Gees’ music and image have long been synonymous with the 1970s, and the career trajectory of brothers Barry, Robin, and Maurice Gibb in those ten years meanders between dizzying highs and devastating lows. In 1970, the band was bitterly split after succumbing to the pressures and excesses of their first wave of international fame in the latter part of the 1960s, but by 1979 they were one of the most successful music acts on the planet. In between, the brothers crafted timeless works that defied genre, transcended societal boundaries, and permeated generations of listeners. The Bee Gees would go on to sell over 200 million records, making them among the best-selling music artists of...
Best known for his unique musical style and blindingly fast hybrid picking technique, English guitarist Albert Lee is often referred to within the music industry as the "guitar player's guitar player," renowned for his work across several genres of music and for the respect that he has garnered from other industry giants. This comprehensive biography tells the entire story of Lee's long career and personal experiences, beginning with his upbringing in south London and his early experimentations with skiffle music (the British equivalent of American rockabilly). It covers Lee's career in Chris Farlowe's Thunderbirds and the British rock and country group Heads, Hands, and Feet, his move to th...
A 672 page, award-winning biography of country music singer Jim Reeves based on hundreds of interviews and Jim's private diaries. Virtually a day by day account of the life of this internationally renowned star.
This third edition of Tales of the Brothers Gibb incorporates a complete listing of every song written and recorded by the Gibbs.
Despite having been made into three TV movies, a radio drama, a stage play, a Broadway musical, a feature-film remake in color, and a book adaptation, the 1947 black-and-white film of Miracle on 34th Street still remains the favorite version of this modern Christmas classic. The American public seems to echo what Macy’s stated when declining to participate in the 1994 remake: “We felt there was nothing to be improved upon.” In many ways, it is a perfect film in the sense that there really is nothing that could have been done better: the story, the casting, the acting were all spot-on. The decade from 1941–1951 saw a bumper crop of classic Christmas including Christmas in Connecticut,...