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He Used A Hand Saw. . . On Valentine's Day 2007, in a suburb of Detroit, stay-at-home dad Stephen Grant filed a missing person's report with the local sheriff. Grant's wife Tara had disappeared five days earlier. He'd been searching for her ever since--or so he claimed. He Started With Her Hands. . . Over the next two weeks, police questioned Grant. He lashed out, accusing them of harassment, pleading his innocence in television interviews. He swore that his wife, a successful businesswoman, had abandoned him and their children. Then the police made a gruesome discovery. . . He Kept Her Torso In The Garage. After his arrest, Grant confessed to strangling his wife and cutting her body into fo...
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With more cars on the road and an increase in distracted driving, road rage is growing in prevalence. This volume examines possible causes, such as left-lane laws, hypermiling, impaired driving, and even mental illness.
Hetcher applies his theory of norms to tort law and Internet privacy laws.
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Jan. 2003- : "7 directories in 1: section 1: alphabetical section; section 2: business section; section 3: telephone number section; section 4: street guide; section 5: map section; section 6: movers & shakers; section 7: demographic summary."
Presents short stories about Detroit with noir and crime fiction by writers such as Joyce Carol Oates, Joe Boland, Peter Markus, and Lolita Hernandez.
One of the last remaining atmospheric theatres in the nation, elegant Marion Palace Theatre holds a storied history behind its curtains. From the "Wigwam," the Grand Opera House and Germania Park Pavilion to nickelodeons, vaudeville houses and movie theatres, performance has been an essential part of Marion's history, and the Palace is the city's jewel. Designed by renowned theatre architect John Eberson, the Palace opened its doors in 1928 to packed audiences of over three thousand patrons. Author Scott L. Hoffman delves into the life and work of John Eberson and the forgotten stories of the Palace that include a police gambling raid, the construction of the theatre and the stars who performed for dazzled audiences there.
Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative fr...