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Definitions Uprising
Poetry. African American Studies. For melissa christine goodrum, definitions are acts of subversive re-definings and un-definings, in lines which forcibly penetrate surfaces, sing and swiftly cross multiple layers of text/geography through a turbulent and politically aware dialogue. Her composition coils around spaces between language and thought, word and page, ink and print in spatial movements of three. The final ascension lifts the reader to an innovative/jazz-like understanding and invites alternating systems of seeing-multiple sensory actions of rising- uprising-from death or from bed or from sitting or of a woman after confinement-against authority or for [a] common purpose(OED uprising defs. 1, 2a, b, c & 7).
Urgent Bards
Billy Cancel, Ed Go, melissa christine goodrum and Susan Lewis are four of my favorite contemporary poets, both in their written work and also as literary performers, and they've contributed some incredible poems to this anthology. Over and over again while reading these poems I get the same sort of electric jolt, the same feeling of surprise and discovery. From the dense language play of Billy Cancel's work to the fractured blues/jazz-steeped lyricism of melissa goodrum's to Ed Go's tweaked narratives and the constantly shifting lines of Susan Lewis' prose poems, this is work that is driven by a sense of linguistic play and experimentation, a desire to upend expectations of how language typically is used in surprising, often unsettling, ways. Michael Whalen.Spring 2016Brooklyn, New York.
Something Sweet and Filled with Blood
In her second poetry collection, melissa christine goodrum shakes up convention by imagining the inner lives and thoughts of both artist and subject through the lens of current day politics and issues of race and gender identity.
The OR Panthology: Ocellus Reseau
The OR Panthology (Ocellus Reseau) is Other Rooms Press's first print anthology, edited by melissa christine goodrum and featuring work by Nora Almeida, David B. Applegate, L. S. Asekoff, Joshua Baldwin, Drew Baughman, Tamiko Beyer, Rose Marie Boehm, V.L. Bond, Michelle Brule, Daveo Crish, Joe Robitaille, Sarah Feeley, Alan Gilbert, Ed Go, melissa christine goodrum, Whit Griffin, j/j hastain, Andrea Henchey, Luke Janka, Lisa Jarnot, Jim Juletid, Yelena Kolova, A.P. Lewis, Susan Lewis, Chip Livingston, Travis Macdonald, Dolan Morgan, Sean Mullin, Sarah Pearlstein, Richard Pearse, Maya Pindyck, Beni Ransom, Matt Reeck, Michael Karl (Ritchie), Ariella Ruth, William Sanders, Sapphire, Sarah Sarai, Michael Schiavo, Pietro Scorsone, Nicole Steinberg, L. Sze, Samantha Taylor, Rodrigo Toscano, Douglas Watson, Michael Whalen and John Sibley Williams.
A Poetry Pedagogy for Teachers
A Poetry Pedagogy for Teachers generates imaginative encounters with poetry and invites educators to practice a range of poetry exercises in order to inform instructional approaches to reading and writing. Guided by pedagogical principles prompted by their readings of Wallace Stevens' “Thirteen Ways of Looking at a Blackbird,” Maya Pindyck and Ruth Vinz provide critical discussion of prominent literacy practices in secondary classrooms and offer alternative approaches to encountering a text. They do this by way of experimental readings of Wallace Stevens' poem toward a set of thirteen pedagogical principles that anchor a pedagogy of poetic practices. The book also offers invitational exercises, the authors' own engagements with poetry practices, as well as student examples, visual modes of theorizing, and a gathering of relevant resources compiled by two classroom teachers. This is a book for secondary English teachers, teaching artists, English educators, college writing professors, readers and writers of poetry – both existing and aspirational – and any educator interested in poetry's capacities to pedagogically inform their subject matter and/or literacy practices.
Collapsible Poetics Theater
"Rodgrigo Toscano's Collapsible Poetics Theater is a genre-expanding force to be reckoned with. From polyvocalic pieces for multiple readers to 'body-movement poems' to 'simultaneous activities pieces' to anti-masques and plays, these fourteen texts & scores constitute one of the most sustained studies of poetic thinking and action to come in a long time. The question Toscano poses is 'can the poem be tested any further?' "With a cape, confetti and placard, two players and Master of Ceremonies conduct their feints and dodges about concepts of engagement and faith. Has this author been reading the critical social spatiality of Michel de Certeau? The author has certainly been reading poetics, from Mikhail Bahktin's radical linguistics to the controlled clamor of Carla Harryman's dramatic praxis. The art of play has found a talented proponent." --Marjorie Welish, 2008 National Poetry Series Judge
Gist and Jarrett of Southside Virginia
Benjamin Gist (b. 1728) was born in Lunenburg County, Virginia. He married Mary Jarrett and they had at least nine children. They lived in North and South Carolina, then moved to Tennessee. Henry Gerrard (b. 1630?) was born in England and came to Virginia sometime before 1656. He had at least three children. The surname later changed to Jarrett. Descendants of both lines live throughout the United States.
