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The Rape of Lucretia and the Founding of Republics
The bonds among republican citizens are created, in part, through the stories told and retold as the foundational myths of the republic. In this book, Melissa Matthes takes advantage of the way in which republican theorists in different eras&—Livy, Machiavelli, and Rousseau&—retell the story of the rape of Lucretia to support their own conceptions of republicanism. The recurring presentation of this story as theater by these different theorists reveals not only the performative elements of republicanism but, as Matthes argues, adds to Hannah Arendt&’s emphasis on the oral dimensions of speech and hearing the important idea of public space as a visual field. Lucretia&’s story also helps illuminate the gendering of republicanism, particularly the aspects of violence and subordination that lie at its very origin. By focusing attention on this underlying and deeply gendered quality of republics, Matthes brings republican theory into fruitful dialogue with feminism.
When Sorrow Comes
Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises. In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory—it matters greatly who is mourned and who is overlooked. Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes,...
Women at the Beginning
In these four artfully crafted essays, Patrick Geary explores the way ancient and medieval authors wrote about women. Geary describes the often marginal role women played in origin legends from antiquity until the twelfth century. Not confining himself to one religious tradition or region, he probes the tensions between women in biblical, classical, and medieval myths (such as Eve, Mary, Amazons, princesses, and countesses), and actual women in ancient and medieval societies. Using these legends as a lens through which to study patriarchal societies, Geary chooses moments and texts that illustrate how ancient authors (all of whom were male) confronted the place of women in their society. Unlike other books on the subject, Women at the Beginning attempts to understand not only the place of women in these legends, but also the ideologies of the men who wrote about them. The book concludes that the authors of these stories were themselves struggling with ambivalence about women in their own worlds and that this struggle manifested itself in their writings.
“A Warr So Desperate”
“A Warr So Desperate”: John Milton and Some Contemporaries on the Irish Rebellion examines the political and colonial contexts of Milton’s Observations Upon the Articles of Peace, as well as the relatively brief, but significant comments on the Irish Rebellion that occur elsewhere in his work. Commissioned by the Council of State in March, 1649, Milton’s Observations puts forward the Commonwealth’s justifications for the reconquest of Ireland which would soon follow with Oliver Cromwell’s campaign. In doing so, Milton covers some familiar ground – for example, the trial and execution of Charles I, and the intolerance and political hypocrisy of the Presbyterians. However, the Ir...
Healing Grief
Both our view of Seneca’s philosophical thought and our approach to the ancient consolatory genre have radically changed since the latest commentary on the Consolatio ad Marciam was written in 1981. The aim of this work is to offer a new book-length commentary on the earliest of Seneca’s extant writings, along with a revision of the Latin text and a reassessment of Seneca’s intellectual program, strategies, and context. A crucial document to penetrate Seneca’s discourse on the self in its embryonic stages, the Ad Marciam is here taken seriously as an engaging attempt to direct the persuasive power of literary models and rhetorical devices toward the fundamentally moral project of healing Marcia’s grief and correcting her cognitive distortions. Through close reading of the Latin text, this commentary shows that Seneca invariably adapts different traditions and voices – from Greek consolations to Plato’s dialogues, from the Roman discourse of gender and exemplarity to epic poetry – to a Stoic framework, so as to give his reader a lucid understanding of the limits of the self and the ineluctability of natural laws.
Private and Public Corruption
The various essays in this volume explore the development of ideas of corruption, employing a range of disciplinary approaches. Although we are accustomed to think of corruption as the misuse of public office for private gain, corruption has its deeper roots in the idea of a standard that has been eroded. That standard, however, need not be construed idealistically: much of what is asserted to be corruption takes the form of a departure from conventional standards. In inveighing against corruption, therefore, it is necessary first to examine the presumptions that underlie its imputation. As well as exploring the ethical issues that must be confronted in identifying corruption, the authors also address some of the ethical issues that challenge attempts to root out corruption.
Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy
Exploring individual and collective formation of gender identities, this book contributes to current scholarly discourses by examining plays in the genre of 'erudite comedy' (commedia erudita), which was extremely popular among sixteenth-century Italians from the elite classes. Author Yael Manes investigates five erudite comedies-Ludovico Ariosto's I suppositi (1509), Niccolò Machiavelli's La Mandragola (1518) and Clizia (1525), Antonio Landi's Il commodo (1539), and Giovan Maria Cecchi's La stiava (1546)-to consider how erudite comedies functioned as ideological battlefields where the gender system of patriarchy was examined, negotiated, and critiqued. These plays reflect the patriarchal o...
Stages of Reality
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television. Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
Conspiracy and Virtue
What was the relationship between woman and politics in seventeenth-century England? Responding to this question, Conspiracy and Virtue argues that theoretical exclusion of women from the political sphere shaped their relation to it. Rather than producing silence, this exclusion generated rich, complex, and oblique political involvements which this study traces through the writings of both men and women. Pursuing this argument Conspiracy and Virtue engages the main writings on women's relationship to the political sphere including debates on the public sphere and on contract theory. Writers and figures discussed include Elizabeth Avery, Aphra Behn, Anne Bradstreet, Maragret Cavendish, Queen Christina of Sweden, Anne Halkett, Brilliana Harley, Lucy Hutchinson, John Milton, Elizabeth Poole, Sara Wight, and Henry Jessey.
Blake, Sexuality and Bourgeois Politeness
Examines Blake's place within a bourgeois culture in the process of redefining the role and meaning of sexuality.
