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From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
Photography, Truth and Reconciliation charts the connections between photography and a crucial issue in contemporary social history. The book examines the prevalence of photography in cultural responses to processes of truth and reconciliation, and argues that photographs are a valuable means through which stories can be retold and historiography can be rethought. Five compelling case studies from Argentina, Canada, Australia, South Africa and Cambodia underscore the special role that this medium has played in facilitating processes of recovery, and in reconstructing suppressed histories, even when a documentary record of the events does not exist. The diverse practices addressed in this boo...
Wow! A Viking! This was Melissa Hillman’s first thought upon meeting Erik Lundstrom. But after an unfortunate verbal exchange, hopes for anything beyond a professional working relationship seem impossible. However, after working together at a volunteer site, she begins to see the kindness and decency in him. Although he is reluctant to have a new relationship after just ending a bad one, Erik finds himself attracted to the lovely Melissa. Can they ever get past their initial misunderstanding? Just when Melissa forgives Erik and wants to get to know him better, a sweet woman and her little boy threaten to steal Erik's heart. Readers of Lisa Smelter’s Love in Litton Series will find familiar faces in this Book 4 romance and make room in their hearts for a few more.
Casper walked to the back table where Gree was sitting and just stood staring at her. She didn't immediately see him because she had her back to the door and was looking out the window. But when she turned around and realized that he was there, she said, "Hi, little one. Are you supposed to be back here by yourself?" He didn't answer her. Instead, he asked her, "Where your little boy?" She thought, Why on earth would he ask me such an odd question? But she did answer, "I don't have a little boy." She had no idea what was about to happen because that little one wasn't finished saying the darndest things. By that time, Dex had come back into the restaurant and noticed three-year-old Casper was...
Support and scaffolding are critical for moving students to higher levels of learning. But how do we ensure we’re giving the “right” work and not just extra work? Barbara R. Blackburn has the answers in this important new book. She provides a plethora of strategies for helping students create meaning and become more independent so they can truly learn at rigorous levels. First, she examines the basics of rigor and scaffolding and uncovers the role of planning in scaffolding, including the difference between acceleration and remediation and examples of differentiating instruction with scaffolding. Then she demonstrates a variety of ways to add scaffolding into classroom discourse, vocabulary, comprehension, and writing across the curriculum. Ideas and strategies are provided for different subject areas and levels, so you can easily apply them to your own setting. And finally, she shows the roles of formative assessment and social emotional learning in scaffolding. With this practical book, you’ll have a toolkit of great ideas at your disposal as you foster a learning environment of high expectations and success.
Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific ...
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You dont talk like God. How do you know? Have you ever once talked to Me? What do you want Me to do, start throwing a bunch of thees and thous at you? Im not the threatening kind, Andy. But you owe Me a favor. And it would be better to pay it than not. Oh, Please! Andy crawled off the couch and got to his knees. He clasped his hands in supplication. Please, just leave me alone! Get off the floor, Andrew. Get off your damn knees. And stop folding your hands in front of you, it creeps Me out. Ive had a stomach full of people whimpering on their knees, believe you Me. I never made people to be on their knees, they somehow learned it on their own. Andy stared up at the bumpled-white ceiling. Whats the favor you ask of me? Its a small thing, the voice said. I want you to rescue my daughter. Andy stared at the ceiling. Then he scrambled off the couch and staggered into the kitchen. Andy? I need a drink. Maybe four or five. Oh, God! He touched his chest, heard his heart pumping too hard. Yes? Drink until I pass out and this goes away. Are you talking to yourself, or Me? What? Rescue your... My daughter. The daughter of God.
Professional photographer Matthew Cunningham returns home from a successful assignment in Paris and upon realising the loss of his camera case, he panics, not only does it contain expensive photographic equipment, but also hundreds of stored images. Several days later, his girlfriend Libby Ellis receives an anonymous package containing both photographs of the models Matt works with and also herself. After a meeting, Libby fails to return home and Detective Sergeant Isobel Woods begins investigating her disappearance. Struggling with internal politics and a boss intent on discrediting her, she is told to solve the case as quickly as possible. However, events take an unexpected turn. Gradually women connected to Matt are drawn into the nightmare and DS Woods suspects his involvement. Co-operating with the police while secretly negotiating with the abductor, Matt risks incriminating himself and is left with no option but to gamble with the lives of those closest to him.