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Michael Anesko explores Henry James's efforts to correct 'mistakes' that he later perceived in his books as first printed. He focuses on two of Henry James's most important texts, 'The Portrait of a Lady' (1881) and 'The Ambassadors' (1903), and the ways in which both betray, in very peculiar ways, the fallibility of James himself.
Michael Anesko explores Henry James's efforts to correct 'mistakes' that he later perceived in his books as first printed. He focuses on two of Henry James's most important texts, The Portrait of a Lady (1881) and The Ambassadors (1903), and the ways in which both betray (in very peculiar ways) the fallibility of James himself.
Henry James defied posterity to disturb his bones: he was adamant that his legacy be based exclusively on his publications and that his private life and writings remain forever private. Despite this, almost immediately after his death in 1916 an intense struggle began among his family and his literary disciples to control his posthumous reputation, a struggle that was continued by later generations of critics and biographers. Monopolizing the Master gives a blow-by-blow account of this conflict, which aroused intense feelings of jealousy, suspicion, and proprietorship among those who claimed to be the just custodians of James's literary legacy. With an unprecedented amount of new evidence now available, Michael Anesko reveals the remarkable social, political, and sexual intrigue that inspired—and influenced—the deliberate construction of the Legend of the Master.
The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. While Watch and Ward has long been dismissed as an early apprentice work, it marks an important stage in James's development as a fiction writer, building upon the stories he wrote during the late 1860s and pointing, at the same time, to the works he would write during the ensuing decade and which would secure his reputation, including 'Daisy Miller', The American and The Portrait of a Lady. Extensive explanatory notes enable modern readers to understand the novel's historical, cultural and literary references.
Discover anew the life and influence of Henry James, part of the acclaimed Wiley Blackwell Critical Biographies series. In The Life of Henry James: A Critical Biography, Peter Collister, an established critic and authority on Henry James, offers an original and fully documented account of one of America’s finest writers, who was both a creative practitioner and theorist of the novel. In this volume, James’s life in all its personal and cultural richness is examined alongside a detailed scrutiny of his fiction, essays, biographies, autobiographies, travel writing, plays and reviews. James was a dedicated and brilliant letter-writer and his biographer make judicious use of this material, s...
Covering the first 300 years of American literature, this expanded, updated volume examines the literature of the Puritans, the American Enlightenment, the American Revolution, women of the period, and more. Illustrated in full color for the first time, this new edition serves as a guide to the first era in American literature. Topics include: Colonial American culture and economy Traditional Native American literature Literature of the American Enlightenment Literature of Puritanism The expansion of slavery Literary and cultural visions of the new nation Women's voices And more. Writers covered include: Charles Brockden Brown Benjamin Franklin Philip Freneau Thomas Jefferson Cotton Mather Thomas Paine Susanna Rowson Adam Smith Mercy Otis Warren Phillis Wheatley Roger Williams And many others.
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
Focusing on a variety of topics, from the violence of war and the struggle for civil rights to the social impact of technology and the moral significance of money, this colorfully illustrated guide to American literature from the postwar period to the present day has been expanded and fully updated. A new section titled "Into the Future" contains a discussion of the best young writers of recent years. A concise, engaging guide to American contemporary literature, this volume provides information on 21st-century writers; the 1950s, '60s, and beyond; contemporary American poetry; and the postmodern movement. Topics include: Post-World War II and Vietnam War literature New Journalism Beat literature and existentialism The rise of ethnic and minority literature The civil rights movement Postmodernism Confessional poetry and poetry of witness Millennial voices in fiction And more. Writers covered include: Raymond Carver Sandra Cisneros Ralph Ellison Robert Frost Norman Mailer N. Scott Momaday Toni Morrison Sylvia Plath Thomas Pynchon Adrienne Rich J.D. Salinger Kurt Vonnegut Tom Wolfe And many others.
This volume explores the world that shaped Henry James’s work and influenced his legacy through the themes of Jamesian cultural anxiety between and beyond spatio-temporal boundaries. As such, each chapter constructs a mode of reading to map and formulate one’s own cultural perspective in various contexts relying on their unique engagement with James’s and Jamesian creative acts of writing—aesthetics and science, the (auto-)biographical as social aspects, genre as literary-social context, the artistic and the economic, editorship and readership, and Asian perspectives on cultural influences and identities—to generate insights and establish new intercultural understandings. These are the traces of the contributors’ national, social, cultural consciousness that allow the definition of the Jamesian worldview as a particularly universal one in a global context.