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Monopolizing the Master
Henry James defied posterity to disturb his bones: he was adamant that his legacy be based exclusively on his publications and that his private life and writings remain forever private. Despite this, almost immediately after his death in 1916 an intense struggle began among his family and his literary disciples to control his posthumous reputation, a struggle that was continued by later generations of critics and biographers. Monopolizing the Master gives a blow-by-blow account of this conflict, which aroused intense feelings of jealousy, suspicion, and proprietorship among those who claimed to be the just custodians of James's literary legacy. With an unprecedented amount of new evidence now available, Michael Anesko reveals the remarkable social, political, and sexual intrigue that inspired—and influenced—the deliberate construction of the Legend of the Master.
Generous Mistakes
Michael Anesko explores Henry James's efforts to correct 'mistakes' that he later perceived in his books as first printed. He focuses on two of Henry James's most important texts, The Portrait of a Lady (1881) and The Ambassadors (1903), and the ways in which both betray (in very peculiar ways) the fallibility of James himself.
Henry James and Queer Filiation
This study challenges the notion that closeted secrecy was a necessary part of social life for gay men living in the shadow of the trial and imprisonment of Oscar Wilde. It reconstructs a surprisingly open network of queer filiation in which Henry James occupied a central place. The lives of its satellite figures — most now forgotten or unknown — offer even more suggestive evidence of some of the countervailing forms of social practice that could survive even in that hostile era. If these men enjoyed such exemption largely because of the prerogatives of class privilege, their relative freedom was nevertheless a visible rebuke to the reductive stereotypes of homosexuality that circulated and were reinforced in the culture of the period. This book will be of particular interest to scholars of Henry James and queer studies, readers of late Victorian and modern literature, and those interested in the history and social construction of gender roles.
Henry James Framed
Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a mod...
Letters, Fictions, Lives
In this unique and long-awaited volume, Michael Anesko documents the literary cross-fertilization between Henry James and William Dean Howells, collecting 151 letters, nearly all the extant correspondence between the two men, as well as the most significant critical commentary James wrote on Howells and Howells wrote on James. Containing dozens of previously unpublished letters by James, and featuring a detailed biographical chronology as well as extensive interpretive commentaries that meticulously chart the development of this remarkable literary friendship, Letters, Fictions, Lives, edited to the highest standards of scholarly excellence, will prove an invaluable resource for scholars and students of James and Howells, and will hold great interest for dedicated readers of their fiction and for those studying epistolary issues and literary influence between contemporaries.
The Complete Letters of Henry James, 1884–1886
This fifteenth installment in the complete collection of Henry James’s more than ten thousand letters records James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, and engage timely political and economic issues.
The Complete Letters of Henry James, 1887–1888
This second volume of The Complete Letters of Henry James, 1887–1888 contains 182 letters, of which 120 are published for the first time, written from late December 1887 to November 19, 1888. These letters continue to mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage timely political and economic issues, and maximize his income. James details work on The Aspern Papers, The Reverberator, Partial Portraits, and The Tragic Muse. This volume opens with some of James’s social visits, includes the death of longtime friend Lizzie Boott, and concludes with James on the Continent.
Henry James Framed
Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in--some would say an obsession with--the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model...
The Aspern Papers and Other Tales, 1884-1888
A scholarly edition of the short fiction of Henry James, comprising nine tales including 'The Aspern Papers' and 'The Liar'.
The Complete Letters of Henry James, 1884–1886
This fourteenth installment in the complete collection of Henry James’s more than ten thousand letters records James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships old and new, and maximize his income.
