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This volume offers researchers and practitioners new perspectives on applied theatre work, exploring the relationship between applied theatre and its intent, success and value. Applied theatre is a well-established field focused on the social application of the arts in a range of contexts including schools, prisons, residential aged care and community settings. The increased uptake of applied theatre in these contexts requires increased analysis and understanding of indications of success and value. This volume provides critical commentary and questions regarding issues associated with developing, delivering and evaluating applied theatre programs. Part 1 of the volume presents a discussion of the ways the concept of change is presented to and by funding bodies, practitioners, participants, researchers and policy makers to discover and analyse the relationships between applied theatre practice, transformative intent, and evaluation. Part 2 of the volume offers perspectives from key authors in the field which extend and contextualize the discussion by examining key themes and practice-based examples.
What were the consequences for Germany, and the world, that William II was Kaiser at the onset of the 'Great War'? In The Kaiser and His Times (first published in 1964), Michael Balfour analyzes the social, constitutional, and economic forces at work in imperial Germany, and sets the complex and disputed character of the Kaiser, who occupied such a central position in the three decades before 1918, in the context of his family background and the history of Germany. '[Balfour] has borne in mind the Kaiser's own request to the head of his military Secretariat - 'Not dry reports only, please, but now and then a funny story.' The circumstances that allowed to Kaiser to live as if 'The greater part of his life... was illusion' would make comic reading if the results had not been so tragic...' Kirkus Review
Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.
Bogen beskriver og analyserer detaljeret hvordan krigens nyheder blev behandlet både fra engelsk og fra tysk side, illustreret med talrige eksempler fra årene under 2. Verdenskrig. Forfatteren var ansat i Ministry of Information, som sorterede nyhederne til hjemmefronten, og The Political Warfare Executive, som sendte propaganda til tyskerne, og til de tysk-besatte lande, og som samtidig (i Intelligence Directorate) fulgte den tyske propaganda hver dag. Bogen bygger på materiale fra både tyske og engelske arkiver.
This edited volume provides a series of studies of drama projects with young refugees.completed in Australia to examine the strategies and their impact.
“Helmut James von Moltke [1907-1945] pursued two related goals during the Second World War: to help victims of National Socialism and to prepare for post-National Socialist Germany and Europe. He worked toward the first goal as a specialist in international law in the army’s intelligence department. There he struggled to uphold principles of international law against Nazi policies of racism and aggression. To achieve the second goal, Moltke initiated what later became known as the Kreisau Circle, a group that discussed and drafted plans to rebuild and reorganize Germany after Hitler’s defeat. By birth and character Moltke was particularly well suited for his self-appointed tasks. He su...
'Performance in Place of War' is concerned with theatre in refugee camps, in war-affected villages, in towns under curfew, in cities under occupation. It presents theatre and performance that occurs literally at the moment bombs are falling, as well as during times of ceasefire and in the aftermaths of war.