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Galore
An intricate family saga and love story spanning two centuries, Galore is a portrait of the improbable medieval world that was rural Newfoundland, a place almost too harrowing and extravagant to be real. Remote and isolated, exposed to savage extremes of climate and fate, the people of Paradise Deep persist in a realm where the line between the everyday and the otherworldly is impossible to distinguish. Propelled by the disputes and alliances, grievances and trade-offs that bind the Sellers and Devine families through generations, Galore is alive with singular characters, and an uncommon insight into the complexities of human nature. Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us. This is Michael Crummey's most ambitious and accomplished work to date.
Sweetland
For twelve generations, the inhabitants of a remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement. They have each been offered a generous compensation package to leave the island for good. There’s just one proviso: everyone must go. Gradually, all of the residents surrender to the inevitable. All of the residents, that is, but one: old Moses Sweetland. Motivated in part by a sense of history and belonging, and concerned that his somewhat eccentric great-nephew will wilt on the mainland, Moses resists the coercion of family and friends in order to hold onto the only place he’s ever called home. As his options dwindle, Moses Sweetland concocts a scheme to remain the island’s only living resident. Cut off from the outside world, with the food supply diminishing and weather shredding away the last evidence of human habitation, Sweetland finds himself, finally, in the company of ghosts . . . Written with incomparable emotional power and depth, Sweetland is a story about loyalty and courage, about the human will to persist even when all hope seems lost.
River Thieves
“An impressive first novel” of a crisis between natives and colonists in Newfoundland, based on historical events (Seattle Post-Intelligencer). In 1810, David Buchan, a naval officer, arrives in the Bay of Exploits with orders to establish contact with the Beothuk, or “Red Indians,” the aboriginal inhabitants of Newfoundland, who are facing extinction. When Buchan approaches the area’s most influential white settlers, the Peytons, for advice and assistance, he enters a shadowy world of allegiances and old grudges that he can only dimly apprehend. His closest ally, John Peyton Jr., maintains an uneasy balance between duty to his father—a domineering patriarch with a reputation as ...
The Wreckage
Having achieved considerable success with his first novel, River Thieves, Michael Crummey has written a book that is equally stunning and compelling. The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. It is a testament to Crummey’s gifts as a novelist tha...
Hard Light
"In Hard Light Michael Crummey retells and reinvents his father's stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love."--publisher's website.
Passengers
The sixth and, on the surface, most innovative poetry collection from Scotiabank Giller Prize finalist Michael Crummey. Eclectic, unpredictable, and strange, Passengers follows Swedish poet Tomas Tranströmer on an imagined circumnavigation of Newfoundland; traces the island escapades of Lucifer from the time of his arrival as a stowaway in the Middle Ages; and wanders the pre-pandemic cities of Europe, touching down in Stockholm’s ABBA museum, the Belfast Public Library, Austria’s plague cemeteries, and the Czech Republic’s Punkva Caves. Widely considered “one of Canada's finest writers” (Globe and Mail), Crummey is noted for the immediacy and emotional impact of his poetry and fiction and for his ability to raise the vernacular to planes of “exquisite beauty.” Part travelogue, part archeological dig, Passengers is an eccentric guide to the wild geography, folklore, and misbegotten history of the human heart.
The Adversary
#1 NATIONAL BESTSELLER From the award-winning, bestselling author of The Innocents, a dark, enthralling novel about love and its limitations, the corruption of power and the power of corruption. “A FLAWLESSLY CRAFTED NARRATIVE” —Wall Street Journal “CEASELESSLY ENTERTAINING” —Kirkus (Starred Review) “A MASTERPIECE, PLAIN AND SINPLE” —Toronto Star “ONE OF OUR BEST WRITERS” —Booklist (Starred Review) In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the ope...
Most of What Follows is True
The prizewinning author of The Innocents examines the relationships among fact, fiction, fictionalization, and appropriation in this thought-provoking work. “In all creative writing, the question of what is true and what is real are two very different considerations. Figuring out how to dance between them is a murky business.” In Most of What Follows Is True, Michael Crummey examines the complex relationship between fact and fiction, between the “real world” and the stories we tell to explain it. Drawing on his own experience appropriating historical characters to fictional ends, he brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take? Is there a point at which a fictionalized history becomes a false history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.
Under the Keel
The brilliant new collection from Michael Crummey, bestselling author of Galore. Michael Crummey’s first collection in a decade has something for everyone: Love and marriage and airport grief; how not to get laid in a Newfoundland mining town; total immersion baptism; the grand machinery of decay; migrant music and invisible crowns and mortifying engagements with babysitters; the transcendent properties of home brew. Whether charting the merciless complications of childhood, or the unpredictable consolations of middle age, these are poems of magic and ruin. Under the Keel affirms Crummey’s place as one of our necessary writers.
Afterimage
Based on the short story by Michael Crummey, Afterimage explores the connections built within both family and community.
