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Our Friends in the North
Great new series from the BFI that promises to deliver definitive and authorative writing on television. Our Friends in the North is the kind of epic drama that keeps a nation glued to the TV.
Chinatown
"Michael Eaton's compelling study of Roman Polanski's 1974 neo-noir situates Chinatown in relation to a history of fictional detectives, from Sophocles to Edgar Allen Poe and Alfred Hitchcock. In an absorbing account of the film's narrative development and visual style, he traces Chinatown's relationship to the pessimism of American cinema (and, by extension, in wider American culture) in the mid-1970s, and the source of the film's narrative and visual impact. In his afterword to this new edition, Eaton considers Chinatown's 1990 sequel The Two Jakes and also the movie's changing fortunes in the years since its release"--
Once Saved, Always Saved
"R. T. Kendall is a dear friend with a deep love for the gospel and the ministry. His words are worth reading and taking to heart." --Ed Stetzer, author and president of LifeWay Research The Bible commands us to make our calling and election sure. Why is it then so many Christians today struggle with the issue of assurance? Embracing the doctrine of eternal security, author Dr. R. T. Kendall, in Once Saved, Always Saved, encourages Christians struggling with legalism, bondage, and fear, and he points them toward God's glorious promises. First published in England in 1983, Once Saved, Always Saved presents a practical biblical and theological argument for the eternal security doctrine. It def...
No Condemnation
This is a new, fully revised, edited and updated edition of Michael Eaton's magisterial study of the biblical, theological, and historical dimensions of assurance in the life of a Christian believer. He challenges both traditional Arminian and Calvinist views, in which salvation and good works are too tightly bound together, by drawing a clear distinction between salvation and reward. Eaton expounds a robust and radical grace-through which salvation overflows in assurance-based on a survey of select portions of the Old and New Testaments, and in dialogue with relevant writings by others. In particular, this edition includes a new section of three chapters in which Eaton responds to the writings of Tom Wright on covenant.
The Christian in an Age of Terror
Previously unpublished, exceptionally relevant sermons from Lloyd-Jones, one of the twentieth century's most influential preachers.
No Condemnation
Michael Eaton develops a theology of assurance that challenges both traditional Arminianism and Calvinism. He reassesses the role of the law, the nature of the Christian's inheritance and the New Testament warnings against "falling away."
Past Lives Unveiled
Struggling to stay alive with a gaping wound across my back, I desperately wondered how I got to this point. My knife-wielding opponent was not the attacker... He'd been defending himself against an ego-driven, menacing thug who was intent on hurting him. That thug was me. In a hole of anxiety and depression, Luke Kennedy resorted to drugs, alcohol, graffiti and fighting in a desperate bid to silence his frantic mind. Soon he was leading a street-fighting and graffiti crew, and constantly coming close to killing others or being killed. Tortured by the voices in his head, Luke began looking for an out. Eventually he found it - and lost 47 kilos in the process. Redemption Road is the gripping and powerful story of Luke's journey from ego-driven, obese thug to fit, sober and successful business owner whose focus is on helping others turn their lives around.
Ecclesiastes
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Adapting Endings from Book to Screen
This book offers a new perspective on adaptation of books to the screen; by focusing on endings, new light is shed on this key facet of film and television studies. The authors look at a broad range of case studies from different genres, eras, countries and formats to analyse literary and cinematic traditions, technical considerations and ideological issues involved in film and television adaptions. The investigation covers both the ideological implications of changes made in adapting the final pages to the screen, as well as the aesthetic stance taken in modifying (or on the contrary, maintaining) the ending of the source text. By including writings on both film and television adaptations, this book examines the array of possibilities for the closure of an adapted narrative, focusing both on the specificities of film and different television forms (miniseries and ongoing television narratives) and at the same time suggesting the commonalities of these audiovisual forms in their closing moments. Adapting Endings from Book to Screen will be of interest to all scholars working in media studies, film and television studies, and adaptation studies.
