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A heartwarming story of a three-legged dog who follows his nose all over the city, out to the country, and into the arms of a new friend. One, two, three... One, two, three... Every day was a skip And a hop For Three. As a three-legged dog on his own in the big city, Three does pretty well for himself. His waggly tail keeps him fed, and he meets so many different legged creatures along the way. He's happy just the way he is, but sometimes he wonders what it'd be like to have a real home. That all changes when he wanders into the country and meets a quirky young girl and her welcoming family.
Fall in love with British Billionaire Michael Sinclair in Colet Abedi's new STANDALONE romance Tame from The Sinclair Brothers Series. Abby Walters fell in love with me when she was a child. In many ways, she still is one. That sweet, sheltered good girl may look like a walking orgasm, but I know she’s innocent. Too innocent for me, the renowned British playboy. It’s ironic, isn’t it, that I’m the one spending my career in philanthropy while she toils away as a barista. The heiress to her own fortune, she’s terrible at this job. It’s all wrong for her. But then so am I. So why did I offer to hire her? Because I want her close to me.Under my control. And in my bed. It’s not like Abby’s going to tame me. Right? Tame is book 3 in The Sinclair Brothers Series and can be read as a standalone. Mad Love & Mad Love 2 - Clayton Sinclair Tame - Michael Sinclair
For years weve scurried about in the underworlds of society. We hid in plain sight, avoiding confl ict with the Human race. Weve always had a set of rules, guidelines to keep our kind safe. But they are broken, futile rules. No one obeys them, no one cares for them, and we just go through the motions. Like a loveless marriage we just stay out of each others way, let the others do as they wish as long as they dont mess with us. Well, those were the good ole days. Someone decided to break the uneasy balance between our species and the Humans; this is now boiling down to a critical point. Its us or them, kill or be killed, unless
This novelization is based on Scott Kosar's screenplay of the recent New Line Cinema remake of the 1974 cult classic. The 2003 film is scheduled to be released on DVD in March 2004. Original.
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Not even rural West Virginia can hide the talents of a modern-day Mozart. Stephen is a thirteen-year-old ward of the state—and a runaway who knows exactly what he is and what he wants. He’s a gifted musician who wants a career in music. Who he is doesn’t seem important—until his foster parents refuse to believe in his musical gift. Now, the lack of a last name and need for a solid identity hover in his dreams. He grew up in a small town orphanage. His foster home of the past few months was in another small town. He’d left one and couldn’t go back to the other; the only place remaining was Clarkstowne—the big city a few miles away. He knew no one in Clarkstowne, yet he’d go there and search for someone who might understand his need. Stephen’s simple “I am what I am, I need what I need” will change the perceptions of many people, beginning with the conductor of a respected symphony orchestra, a lonely boy, the musicians with whom he interacts, the friends he makes along the way, and the caseworkers and state officials who must straighten out the controversy centering on him.
The long awaited prequel to the Frank Nagler Mysteries.
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It might reasonably be asked what the connection is between Francoises malapropisms in Proust and the erudite allusions of Stephens interior monologue in Joyce. Tribout-Joseph argues that they are indeed interrelated. Proust and Joyce are exemplary of Modernisms reconciliation of high literature with popular voices. Both writers explore the process of incorporation, the interface between speech and narrative. Fragments of discourse are taken from diverse sources and reoriented within new contexts. Proposed here are interconnected close readings of socio-political debate, body talk, listening processes, silences, intertextual echoes, cliche, register, conflated voices, chatter, gossip, eavesdropping, internalized debate, and misunderstandings which allow for a new configuration of the authors to emerge.