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The Cultural Aesthetics of Eighteenth-Century Porcelain
  • Language: en
  • Pages: 244

The Cultural Aesthetics of Eighteenth-Century Porcelain

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within whi...

Palaces of Reason
  • Language: en
  • Pages: 211

Palaces of Reason

Palaces of Reason traces the fascinating history of three royal residences built outside of Naples in the eighteenth century at Capodimonte, Portici, and Caserta. Commissioned by King Charles of Bourbon and Queen Maria Amalia of Saxony, who reigned over the Kingdom of the Two Sicilies, these buildings were far more than residences for the monarchs. They were designed to help reshape the economic and cultural fortunes of the realm. The palaces at Capodimonte, Portici, and Caserta are among the most complex architectural commissions of the eighteenth century. Considering the architecture and decoration of these complexes within their political, cultural, and economic contexts, Robin L. Thomas ...

Antiquity and Enlightenment Culture
  • Language: en
  • Pages: 259

Antiquity and Enlightenment Culture

  • Type: Book
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  • Published: 2020-03-31
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  • Publisher: BRILL

This volume represents the first move towards a comprehensive overview of the place of antiquity in Enlightenment Europe. Eschewing a narrow focus on any one theme, it seeks to understand eighteenth-century engagements with antiquity on their own terms, focusing on the contexts, questions, and agendas that led people to turn to the ancient past. The contributors show that a profound interest in antiquity permeated all spheres of intellectual and creative endeavour, from antiquarianism to political discourse, travel writing to portraiture, theology to education. They offer new perspectives on familiar figures, such as Rousseau and Hume, as well as insights into hitherto obscure antiquarians and scholars. What emerges is a richer, more textured understanding of the substantial eighteenth-century engagement with antiquity.

Shapely Bodies
  • Language: en
  • Pages: 317

Shapely Bodies

  • Categories: Art

Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.

The Cambridge Global History of Fashion: Volume 1
  • Language: en
  • Pages: 759

The Cambridge Global History of Fashion: Volume 1

Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.

Small Things in the Eighteenth Century
  • Language: en
  • Pages: 345

Small Things in the Eighteenth Century

Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.

The Charmed Circle
  • Language: en
  • Pages: 380

The Charmed Circle

In late eighteenth-century Vienna a remarkable coterie of five aristocratic women, popularly known as the "five princesses," achieved social preeminence and acclaim as close associates of the reforming Habsburg Emperor Joseph II. They were Princess Maria Josepha Clary (1728-1801); Princess Maria Sidonia Kinsky (1729-1815); Princess Maria Leopoldine Liechtenstein (1733-1809); Countess, subsequently Princess, Maria Leopoldine Kaunitz (1741-1795); and Princess Maria Eleonore Liechtenstein (1745-1812). The group assumed a stable form by 1772, by which time Joseph II and two of his closest male associates, Field Marshal Franz Moritz Lacy and Count Franz Xavier Orsini-Rosenberg, had become accepte...

Material Cultures of the Global Eighteenth Century
  • Language: en
  • Pages: 294

Material Cultures of the Global Eighteenth Century

  • Categories: Art

"Things change. Broken and restored, reused and remade, objects transcend their original functions, locations, and appearances. Locating material objects at the heart of the artistic, economic, and demographic tranformations of the eighteenth century, this interdisciplinary volume expands beyond Eurocentric perspectives to discover the mobile, transcultural nature of eighteenth-century art worlds. Across ten diverse essays, each with a distinct scholarly approach, the volume charts new directions for art history and cultural history. Ranging from California to China, Bengal to Britain, the chapters illuminate the transformations within and between artistic media, follow natural and human-made things as they migrate across territories, and reveal how objects catalyzed change in the transoceanic worlds of the early modern period. From porcelain to betel leaves, Chumash hats to natural history cabinets, this path-breaking volume examines how objects embody imperialism, knowledge, and resistance in various ways."--Back cover.

China and the Church
  • Language: en
  • Pages: 206

China and the Church

  • Categories: Art

This groundbreaking study examines decorative Chinese works of art and visual culture, known as chinoiserie, in the context of church and state politics, with a particular focus on the Catholic missionsÕ impact on Western attitudes toward China and the Chinese. Art-historical examinations of chinoiserie have largely ignored the role of the Church and its conversion efforts in Asia. Johns, however, demonstrates that the emperorÕs 1722 prohibition against Catholic evangelization, which occurred after almost a century and a half of tolerance, prompted a remarkable change in European visualizations of China in Roman Catholic countries. ChinaandtheChurch considers the progress of Christianity in China during the late Ming and early Qing dynasties, examines authentic works of Chinese art available to the European artists who produced chinoiserie, and explains how the East Asian male body in Western art changed from ÒnormativeÓ depictions to whimsical, feminized grotesques after the collapse of the missionary efforts during the 1720s.

Women, Gender, and the Palace Households in Ottoman Tunisia
  • Language: en
  • Pages: 288

Women, Gender, and the Palace Households in Ottoman Tunisia

In this first in-depth study of the ruling family of Tunisia in the eighteenth and nineteenth centuries, Kallander investigates the palace as a site of familial and political significance. Through extensive archival research, she elucidates the domestic economy of the palace as well as the changing relationship between the ruling family of Tunis and the government, thus revealing how the private space of the palace mirrored the public political space. “Instead of viewing the period as merely a precursor to colonial occupation and the nation-state as emphasized in precolonial or nationalist histories, this narrative moves away from images of stagnation and dependency to insist upon dynamism...