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Once the darling of conservative Catholicism and evangelicalism, the outspoken broadcaster and journalist Michael Coren had what he terms as a profound conversion and began embracing the issues he had previously judged. It cost him his lucrative broadcasting career and made him the target of vitriol, but he found freedom in the radical and progressive nature of the gospel and is today its champion. In The Rebel Christ he explores what Jesus said about the pressing issues of his and our day. Jesus may not have mentioned sexuality, but welcomed outsiders and the marginalized; he never spoke of social security systems, but did criticize the wealthy and complacent and called for the poor to be protected; he didn’t side with the powerful but did condemn those who judged and exploited others and turned their eyes away from those in need and from the cry for justice. This was Jesus the rebel, Christ the radical, who turned the world upside down and who today demands that his followers do the same.
A collection of essays on Christian-Muslim relations by one of the world's leading experts.
The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a co...
As a young man in eighteenth century France, Christian Du Mauré impulsively follows his best friend into the complex and warring world of the Parisian vampires. Against the backdrop of the French Revolution and following an affair with a mortal aristocrat, he promises to watch over her daughter - only to learn the child is his. Now settled in Manhattan, only two descendents of his union remain, Amanda and her brother, Ryan. After Amanda witnesses a savage murder in Central Park, she is determined to find the ethereal stranger who saved her life. When their worlds inevitably collide, Christian finds he cannot prevent Amanda from becoming a pawn in a centuries-old struggle for power. As a confrontation between ancient enemies comes to a head, Christian must face a betrayal from his past that still haunts him and threatens the woman he loves.
This book is essential reading for understanding the legacy behind the Catholic Worker Movement. The founders of the movement, Dorothy Day and Peter Maurin met during the Great Depression in 1932. Their collaboration sparked something in the Church that has been both an inspiration and a reproach to American Catholicism. Dorothy Day is already a cultural icon. Once maligned, she is now being considered for sainthood. From a bohemian circle that included Eugene O'Neil to her controversial labor politics to the founding of the Catholic Worker Movement, she lived out a civil rights pacifism with a spirituality that took radical message of the Gospel to heart. Peter Maurin has been less celebrat...
Throughout the seventeenth century Dutch, French, and English freebooters launched numerous assaults on Spanish targets all over Central America. Many people have heard of Henry Morgan and François L’Olonnais, who led a series of successful raids, but few know that the famous buccaneers often operated in regions inhabited and controlled by Native Americans rather than Spaniards. Arne Bialuschewski explores the cross-cultural relations that emerged when greedy marauders encountered local populations in various parts of the Spanish empire. Natives, as it turned out, played a crucial role in the outcome of many of those raids. Depending on their own needs and assessment of the situation, ind...
This book considers the post-68 French city as a prism through which to understand the contemporary world and France’s specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique—stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city—has sparked in France a passionate search for a third path, which the author proposes to term après-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal.