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Vol.1 A.I.D.A.A. Proceedings of the XXV AIDAA International Congress of Aeronautics and Astronautics
The 2019 AIDAA Congress is the biennial Congress of the Italian Association of Aeronautics and Astronautics, the Italian no-profit cultural association dedicated to the aerospace community. AIDAA was formed in 1969 through a merging of the former Societies AIDA (Associazione Italiana di Aerotecnica formed in 1920) and AIR (Associazione Italiana Razzi).In 1951, AIDA was among the founders of the International Astronautical Federation (IAF) and in 1957 of the International Council of Aeronautical Sciences (ICAS). In 1992 AIDAA joined the Confederation of European Aerospace Societies (CEAS).The Congress is jointly hosted by AIDAA Rome Section, the Departments of Astronautic, Electric and Energetic Engineering (DIAEE) and of Mechanical and Aerospace Engineering (DIMA) of Civil and Industrial Engineering Faculty and the School of Aerospace Engineering (SIA) of Sapienza University of Rome. The degree courses in Aerospace Engineering are attended by almost 1500 students.
Microfluidic Organ-on-a-Chip: Revolutionary Platforms for Disease Comprehension and Treatment
Existing culture systems have a limited ability to reproduce the complicated and dynamic microenvironment of a functioning organ. To solve the issues of conventional culture techniques, multidisciplinary researchers, involving medical doctors, stem cell and developmental biology experts, engineers and physical scientists, have emerged to innovate methods and devices. A microfluidic organ-on-a-chip (μOOC) is a cell culture device, based on microfluidic technology, which contains continuously perfused chambers with cells to simulate organ-level physiology/pathology. The μOOC is not to build a whole living organ, but rather to synthesize minimal functional units that recapitulate organ-/tissu...
The Italian-American Immigrant Theatre of New York City
Italian-American theatre sprang to life in New York City shortly after waves of Italian immigrants poured into this country in the 1870's. The mass migration brought both the performers and the audiences necessary for theatrical entertainment. Hungry for recognition, support, and social exchange, the men and women from Italy formed amateur theatrical clubs as one way of satisfying emotional needs. By 1900, the community had produced the major forces that created the Italian-American theatre of the ensuing decades. In The Italian-American Immigrant Theatre of New York City, author Emelise Aleandri regenerates the excitement of the stage through striking photographs, programs, and other memorabilia generously loaned by families of the theatre community. She follows the fortunes of the earliest nineteenth-century companies and introduces those that arose in the twentieth-century. Within these pages are scenes of comedy, tragedy, vaudeville, and radio, featuring stars such as Mimi Cecchini, Guglielmo Ricciardi, Concetta Arcamone, Antonio Maiori, Rita Berti, Farfariello, and Olga Barbato.
