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Rosalia de Castro (1837-85) wrote five volumes of poetry before succumbing to cancer of the uterus at the age of forty-eight. While she is perhaps best known for her more introspective and intimate poetry, Castro's mature works are also highly feminist and political in thematic orientation. This book examines the fascinating system of poetic techniques Castro employs in her works to link the compelling issues surrounding femaleness and identity- both national and individual- to the construction of a system of gendered symbolic language that has been vastly understudied by contemporary scholars.
This book presents the first feminist translation of Rosalía de Castro’s seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalía de Castro (1837–1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women’s rights and her region’s cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between ...
This volume consists of brief chapters, adapted from the weekly scripts of a popular NPR series on language, contributed by a cross-section of leading professional linguists from the U.S. and abroad.
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Covers world authors from many periods and genres, building an understanding of the various contexts -- from the biographical to the literary to the historical -- in which literature can be viewed. Identifies the significant literary devices and global themes that define a writer's style and place the author in a larger literary tradition as chronicled and evaluated by critics over time.
Includes sección escolar; v. 2-3 having separate pagination.
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From Cristina Fernández Cubas, Spain's award-winning master of the short story, comes a collection of unsettling, thought-provoking, and often hilarious stories, The Angle of Horror. A socially awkward twenty-something who transforms from Jekyll to Hyde by playing the tuba; a miserly curmudgeon whose ultimate act of generosity as well as his final breath are snuffed out by a seemingly innocent grandson; a young collegian who suffers a nightmare of shadows and slants, then discovers his waking world is also horribly askew; a lonely Spaniard living abroad who seeks familiarity in a Spanish specialty shop but only finds true belonging while obsessively stalking the proprietor. These are but a few of the "angles" that Fernández Cubas constructs in these four twisted tales: "Helicon," "Grandfather’s Legacy," "The Angle of Horror," and "The Flower of Spain." Presented in critical edition and translation for the first time, these acclaimed Spanish tales are featured alongside their English translation, with historical contextualization and critical commentary by scholars Jessica A. Folkart and Michelle Geoffrion-Vinci.