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Maṇḍalas in the Making
The first scholarly monograph on Buddhist maṇḍalas in China, this book examines the Maṇḍala of Eight Great Bodhisattvas. This iconographic template, in which a central Buddha is flanked by eight attendants, flourished during the Tibetan (786–848) and post-Tibetan Guiyijun (848–1036) periods at Dunhuang. A rare motif that appears in only four cave shrines at the Mogao and Yulin sites, the maṇḍala bore associations with political authority and received patronage from local rulers. Attending to the historical and cultural contexts surrounding this iconography, this book demonstrates that transcultural communication over the Silk Routes during this period, and the religious dialogue between the Chinese and Tibetan communities, were defining characteristics of the visual language of Buddhist maṇḍalas at Dunhuang.
The Glassworkers of Carmaux
This study analyzes in close detail the experiences of glassworkers as mechanization transformed their trade from a highly skilled art to a semiskilled occupation. Ms. Scott argues that changes in the organization of work altered the life style and political outlook of glassworkers. These changes also created a new identity for them as residents of Carmaux, a city in the Department of the tarn in southwestern France. Once an isolated group of itinerant workers within the city, glassworkers became active trade unionists and militant socialists in the 1890s.
