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Looks at the shift towards sustainism as seen through a series of visual symbols designed for use by businesses, institutions, and individuals.
This handbook is the first book to take sustainability?or ?sustainism”?into the realm of social design thinking and practice.”
This book provides a down-to-earth account of the virtues and failures of environmental risk assessment. The assessment process involves politics, technology, and issues of social choice, an unstructured grouping that often presents contradictory and confusing standpoints: the virtues of science and the scientific method are extolled on the one hand and condemned on the other; no viable solutions are offered; and there is no real understanding of the issues being discussed. This chaotic situation is analyzed using cultural theory, to offer a powerful and groundbreaking account of such topics as technological decision making, politics, energy, engineering, and technology as a whole.
Words are our first tools for making sense of the world. This publication presents seven words for a changing time. In this timely exploration of our cities, heritage, civic initiatives, urbanism and the future, Michiel Schwarz, co-creator of the Sustainism manifesto, charts how a new ethos and praxis is emerging in the 'design' of our living environment. This concise lexicon explores the changing cultural landscape through seven entries: Placemaking, Connectedness, Local, Commons, Circularity, Proportionality, Co-Design. In doing so it marks inroads into a sustainist culture that is more connected, locally-rooted, collaborative, respectful of the human scale, and altogether more environmentally and socially sustainable.
This book describes prominent technological achievements within a very successful space science mission: the Herschel space observatory. Focusing on the various processes of innovation it offers an analysis and discussion of the social, technological and scientific context of the mission that paved the way to its development. It addresses the key question raised by these processes in our modern society, i.e.: how knowledge management of innovation set the conditions for inventing the future? In that respect the book is based on a transdisciplinary analysis of the programmatic complexity of Herschel, with inputs from space scientists, managers, philosophers, and engineers. This book is addressed to decision makers, not only in space science, but also in other industries and sciences using or building large machines. It is also addressed to space engineers and scientists as well as students in science and management.
Traditional cities of the global north are dominated by linear 'take-make-waste' habits: by economic interactions and socio-spatial developments. This is the WASTED City: an urban settlement in which it is difficult to develop circular systems on a mainstream basis. Currently we see the proliferation of urban niches of circularity, progressive policymaking and economic innovation, but the truly CIRCULAR CITY remains Utopian. This book explores how these different approaches are connected and what is needed to make circular urban development the new sustainable standard. Looking at the city as an ecosystem, urban planning, design and architecture practices adapt the built environment in which people interact as organisms within a complex system. We see grand opportunity for planners to reinterpret the landscape and act in a more inclusive, cooperative fashion that propagates sustainable economic activity and vigorous cultural strength.
Michiel Schwarz and Michael Thompson provide a down-to-earth account of the virtues and failures of environmental risk assessment.
Brand the Change is a guidebook to build your own brand. It contains 23 tools and exercises, 14 case studies from change making organisations across the world and 7 guest essays from experts.
Looks at the shift towards sustainism as seen through a series of visual symbols designed for use by businesses, institutions, and individuals.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.