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Horace: Odes and Epodes
A collection of recent articles representing some of the best recent writing on Horace's Odes and Epodes. Several classic studies in French, German, and Italian appear in English for the first time, while the Introduction surveys the state of current scholarship and offers guidance on the interpretation of Horatian lyric today.
Horace's Narrative Odes
Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaric mode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formal level, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he can ever truly become a poet of praise.
Writing, Performance, and Authority in Augustan Rome
In Writing, Performance, and Authority in Augustan Rome Michele Lowrie examines how the Romans conceived of their poetic media. Song has links to the divine through prophecy, while writing offers a more quotidian, but also more realistic way of presenting what a poet does. In a culture of highly polished book production where recitation was the fashion, to claim to sing or to write was one means of self-definition. Lowrie assesses the stakes of poetic claims to one medium or another. Generic definition is an important factor. Epic and lyric have traditional associations with song, while the literary epistle is obviously written. But issues of poetic interpretability and power matter even more. The choice of medium contributes to the debate about the relative potency of rival discourses, specifically poetry, politics, and the law. Writing could offer an escape from the social and political demands of the moment by shifting the focus toward the readership of posterity.
Writing, Performance, and Authority in Augustan Rome
An exploration of the relationship between poetry, song, and authority in Augustan Rome. Michèle Lowrie argues that the medium of writing, as opposed to song, could offer an escape from current social and political demands by shifting the focus toward the readership of posterity.
Exemplarity and Singularity
This book pursues a strand in the history of thought – ranging from codified statutes to looser social expectations – that uses particulars, more specifically examples, to produce norms. Much intellectual history takes ancient Greece as a point of departure. But the practice of exemplarity is historically rooted firmly in ancient Roman rhetoric, oratory, literature, and law – genres that also secured its transmission. Their pragmatic approach results in a conceptualization of politics, social organization, philosophy, and law that is derived from the concrete. It is commonly supposed that, with the shift from pre-modern to modern ways of thinking – as modern knowledge came to privilege abstraction over exempla, the general over the particular – exemplarity lost its way. This book reveals the limits of this understanding. Tracing the role of exemplarity from Rome through to its influence on the fields of literature, politics, philosophy, psychoanalysis and law, it shows how Roman exemplarity has subsisted, not only as a figure of thought, but also as an alternative way to organize and to transmit knowledge.
Civil War and the Collapse of the Social Bond
Can civil war ever be overcome? Can a better order come into being? This book explores how the Roman civil wars of the first century BCE laid the template for addressing perennially urgent questions. The Roman Republic's collapse and Augustus' new Empire have remained ideological battlegrounds to this day. Integrative and disintegrative readings begun in antiquity (Vergil and Lucan) have left their mark on answers given by Christians (Augustine), secular republicans (Victor Hugo), and disillusioned satirists (Michel Houellebecq) alike. France's self-understanding as a new Rome – republican during the Revolution, imperial under successive Napoleons – makes it a special case in the Roman tradition. The same story returns repeatedly. A golden age of restoration glimmers on the horizon, but comes in the guise of a decadent, oriental empire that reintroduces and exposes everything already wrong under the defunct republic. Central to the price of social order is patriarchy's need to subjugate women.
Populism, Demagoguery, and Rhetoric in Historical Perspective
Populism, Demagoguery, and Rhetoric in Historical Perspective explores the connections between contemporary populism, populist rhetoric, and a wide range of thinkers and topics in the history of political thought, from the ancient to the modern world. Throughout the volume, contributors demonstrate links between contemporary populism and the tradition of rhetoric, as well as new connections between populism and demagoguery, a phenomenon that has been discussed by political theorists and philosophers since antiquity. With this wide range of connections in mind, the volume draws on diverse perspectives and methodologies to theorize populist politics in historical perspective, and to enrich the debate surrounding it.
Unrest in the Roman Empire
Despite Roman claims to have brought peace, unrest was widespread in the Roman empire. Revolts, protests and piracy were common occurrences. How did contemporaries relate to and make sense of such phenomena? This volume gathers eleven contributions by specialists in the various literatures and modes of thinking that flourished in the empire between the second century BCE and the fifth century CE - including Graeco-Roman historiography and philosophy, Jewish prophecy, Christian apology and the writings of the Tannaitic rabbis - to investigate these questions. Each contribution analyses the discourses by which the diverse authors of these texts understood instances of unrest. Together the contributions expand our understanding of the varied politics that pervaded the Roman empire. They highlight the intellectual labour at every level of society that went to (re)making this imperial formation throughout its long history.
Influence: On Rhetoric and Biblical Interpretation
The influence of the Bible in human history is staggering. Biblical texts have inspired grand social advancements, intellectual inquiries, and aesthetic achievements. Yet, the Bible has also given rise to hatred, violence, and oppression – often with deadly consequences. How does the Bible exert such extraordinary influence? The short answer is rhetoric. In Influence: On Rhetoric and Biblical Interpretation, Michal Beth Dinkler demonstrates that, contrary to popular opinion, rhetoric is not inherently “empty” or disingenuous. Rhetoric refers to the art of persuasion. Dinkler argues that the Bible is by nature rhetorical, and that understanding the art of persuasion is therefore vital for navigating biblical literature and its interpretation. Influence invites readers to think critically about biblical rhetoric and the rhetoric of biblical interpretation, and offers a clear and compelling guide for how to do so.
Prudentius and the Landscapes of Late Antiquity
Prudentius and the Landscapes of Late Antiquity offers a thematic analysis of the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. Cillian O'Hogan sets Prudentius in the context of other late antique authors, including Lactantius, Jerome, Augustine, and Endelechius, and argues that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. This volume examines his conception of the world as a text, his use of intertextuality to describe literary journeys, his view of the civic function of Christian martyrdom, his conception of heaven, and his attitude towards art and architecture, combining philological and intertextual criticism with approaches drawn from the fields of book history, cultural geography, and theology to paint a fuller and richer picture of the greatest of the Christian Latin poets.
