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Changing Stations
Following the development of the most pervasive medium in Australia, this is the first full-scale, national history of the country's commercial radio. From the experiments and schemes of the 1920s through the introduction of digital radio in 2009, this sweeping study moves from Sydney to Adelaide, Launceston to Cairns, Broken Hill to Albany. Exploring the varied programming genres of drama, music, quiz shows, sports, and politics, the in-depth research traces the engagement of commercial radio with various communities of Australian listeners. In addition, many of the iconic names of Australian radio are featured, including George Edwards, Grace Gibson, Jack Davey, Bob Dyer, Bob Rogers, Norman Banks, Andrea, Brian White, John Laws, and Alan Jones.
I'll Be Gone
I'll Be Gone is not just the story of an accidental masterpiece, a song written by Mike Rudd and recorded by his seminal Australian band 'Spectrum' in 1969. It is also the story of a time of unprecedented political and cultural upheaval and promise both in Australia and the Western world. Most of all, I'll Be Gone is the story of a unique artist and his unerring artistic vision, often in the face of immense personal hardship and sorrow.
Her Brilliant Career
Stella Miles Franklin became an international publishing sensation in 1901, with "My Brilliant Career," a portrayal of an ambitious and independent woman defying social expectations that still captivates readers. In a magisterial biography, Roe details Miles' extraordinary life.
The Party
The long awaited second volume in Stuart Macintyre's definitive history of the Communist Party of Australia. Communism was unlike any other political movement Australia has ever seen. At its peak in the 1940s, unions led by communists could call a strike that paralysed the nation, and communists influenced the highest level of government, and commanded the unswerving loyalty of thousands. It showed working men and women they could have a better life, and gave them the tools to achieve it. Stuart Macintyre reveals how sources of strength in the party's heyday became the undoing of the party over the following two decades. Unconditional support for the Soviet model broke down as the horrors of...
A Pavane for Another Time
Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travellin...
Roots
A Melbourne sound that is at once both rakish and debonair. So what specifically is it about Melbourne that, according to the Sydney Morning Herald, it’s able to support around 465 live music venues as compared to 453 in New York, 385 in Tokyo and 245 in London despite its population being a fraction of those major world cities? Despite the flaky weather, the footy and Netflix, Melbournians are committed to going out at night and in great numbers in heat or hail to listen to live music and to find those bands and singers they’ve heard on Spotify or discovered on Soundcloud.
Australian Film Theory and Criticism
The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies, Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, personnel, and institutions across this formative period, Noel King, Constantine Verevis, and Deane Williams examine a multitude of books and journal articles published in Australia and distributed internationally though such processes as publication in overseas journals, translation, and reprinting. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, and cultural studies. Ultimately, Australian Film Theory and Criticism, Volume 1 delineates the historical implications—and reveals the future possibilities—of establishing new directions of inquiry for film studies in Australia and internationally.
King Hu's A Touch of Zen
A Touch of Zen is one of the first Chinese-language films to gain recognition in an international film festival (the Grand Prix at the 1975 Cannes Film Festival), creating the generic mould for the "crossover" success of Ang Lee's Crouching Tiger Hidden Dragon in 2000. The film has achieved a cult status over the years but little has been written about it. This first book-length study of the classic martial arts film therefore redresses its critical neglect, and explores its multi-leveled dimensions and mysteries. One of the central features of the film is the enigmatic knight-lady (xia nü) whose quest for revenge leads her to cross paths with a poor scholar whose interest in military strat...
The Semiotic Sphere
Although semiotics has, in one guise or another, ftourished uninterruptedly since pre Socratic times in the West, and important semiotic themes have emerged and devel oped independently in both the Brahmanie and Buddhistic traditions, semiotics as an organized undertaking began to 100m only in the 1960s. Workshops materialized, with a perhaps surprising spontaneity, over much ofEurope-Eastern and Western and in North America. Thereafter, others quickly surfaced almost everywhere over the litera te globe. Different places strategically allied themselves with different lega eies, but all had a common thrust: to aim at a general theory of signs, by way of a description of different sign systems...
Hector
Hector Crawford – the name remains synonymous with Australian television. The tag line ‘This has been a Crawford Production’ still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public façade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in ‘Hector’. In this compelling account of his life Rozzi Bazzani recounts vividly how, as Crawford’s influence grew, the off screen politics employed by the TV networks and rivals to diminish his company’s power became as exci...
