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"Holiness on the Move: Mobility and Space in Byzantine Hagiography, explores the literary, religious, and social functions of monastic mobility in Byzantine hagiography, touching on aspects of space, narrative, and identity. The ten chapters included in this volume highlight the multifaceted and rich nature of travel narratives, exploring topics such as authorship and audience, narrative structure and function, identity-making and practicalities of and discourse on travel. In terms of geographical span, the case studies cover Constantinople and its hinterland, Asia Minor, mainland Greece, Trebizond, the Balkans, and southern Italy, and range chronologically from the end of the sixth to the f...
Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites--multicultural cities, border areas, cross-cultural corridors, multiethnic regions--that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, howev.
Questions about space and the sacred are now central to Byzantine studies. Recent scholarship has addressed issues of embodiment and performance, power and identity, environmental perceptions and territorial imaginations. At the same time, the mobility turn in the humanities prompts new approaches to and understandings of processes of circulation of people, objects and ideas. Drawing together illuminating contributions from scholars in history, art history, literature, geography, architecture and theology, Sacred Mobilities in Byzantium and Beyond sets the stage for further cross-disciplinary dialogue concerning Orthodox Christian spiritual culture and society in the Byzantine Empire and in the centuries after its fall. Contributors are Veronica della Dora, Ekaterine Gedevanishvili, Molly Greene, Mark Guscin, Christos Antonios Kakalis, Chrysovalantis Kyriacou, Maria Litina, Andrew Louth, Mihail Mitrea, Bissera Pentcheva, Rehav Rubin, and David Williams.
The life (in fact the lives) of Vlad III the Impaller or Dracula is a Rorschach test. Everybody sees what they want to see in the “documentary stains”. And these “stains” are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.
Examines the three key markers of sanctity – cult, hagiography, feast day – together for the first time / The first book to explore an ‘unsuccessful’ saint in detail / Investigates the texts in all the languages in which they were written: Latin, Greek, Old Church Slavonic, Georgian, and Armenian / Includes original research of hagiographical manuscripts
Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.
First Published in 2017. This book contains Deletant's research and view that an inescapable feature of life in Romania under Ceausescu was the ubiquity of the Securitate or the security police, known officially for much of the period as the Department of State Security of the Ministry of the Interior. He seeks to right the omission in Romanian literature, until now, of the mechanism of terror which Stalin used in Romania to enforce his will and about the organisation of the Department of State Security.
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the re...
The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.