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My Hermitage
In a memoir, the museum’s longtime director takes the reader on a private tour of this global treasure. Holding one of the largest collections of Western art in the world, the Hermitage is also a product of Russia and its dramatic history. Founded by Empress Catherine the Great in 1764, the stunning Winter Palace was built to house her growing collection of Old Masters and to serve as a home for the imperial family. Tsars came and went over the years, artworks were acquired and sold, buildings were burned down in terrible fires, and still the collections grew. After the violent upheavals of the Russian Revolution in 1917, the palaces and collections were opened to the public. Now, in an unprecedented collection of illuminating essays, Piotrovsky explores the cultural history of a collection as rich in adventure as art. From fascinating intrigues to revelatory scholarship on the collection’s incredible art and artifacts, My Hermitage is a profound and captivating story of art’s timelessness and how it brings people together.
The Hermitage
Highlights from the palatial Hermitage Museum in St. Petersburg, Russia, are beautifully reproduced in an accessible volume celebrating the museum's 250th anniversary. For 250 years, the State Hermitage Museum has been one of the world's most palatial and significant museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than 3 million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a gl...
Russian Splendor
A stunning volume showcasing the magnificent court dress of the Russian Empire, culled from the authoritative collection at the State Hermitage Museum in St. Petersburg, photographed with the Winter Palace as a backdrop. Prerevolutionary Russia was renowned for the glamorous and luxurious lifestyles of the nobility, with their opulent palaces and glittering social life. Now, this lavish volume reveals the incredible clothing they wore, from everyday dress and ceremonial attire (traditional holidays outfits and military uniforms) to dress for special occasions, including elaborate evening wear for theater and musical events and fancy masquerade balls. Celebrated for luxurious materials and im...
Russian Elegance
This beautifully illustrated book shows examples of Russian dress and accessories from the 15th to the early 20th century. Derived from the collection of the State Historical Museum and covering both dress worn in the countryside and in the city, this book is a fabulous feast of splendid patterns and fine detail. From exuberantly colorful and embellished dresses to elegantly sumptuous brocades and silks, the garments and accessories included in this book are an inspiration. In the first part of the book we look at traditional Russian dress, which was worn by all Russian peasants, by the urban petit bourgeoisie and by merchants. This type of clothing became accepted as national dress. In the towns and cities, dress was influenced by the Parisian styles but interpreted by Russian seamstresses reflecting the love of bright colors, multi-colored patterns and decorative features in evidence in traditional dress. With authoritative essays written by experts L. Yefimova and T. Aleshina, Russian Elegance is an invaluable resource for fashion designers, artists, fashion historians, set and costume designers, or anyone interested in these beautiful designs.
Networks in the Russian Market Economy
A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org. This book examines the significance of networks among the firms operative in the contemporary Russian software industry in the St. Petersburg region.
Stone Island
Since its inception in 1982, Stone Island has acquired a worldwide cult following for its cutting-edge outerwear by combining fashion, luxury, and streetwear. In this updated edition of Rizzoli’s best-selling monograph, a chapter celebrating the latest collaborations highlights the brand’s ever-expanding universe. In the world where brands take from the culture, through its four-decade existence Stone Island has been contributing to it. The long roster of its celebrity fans includes Oasis frontman Liam Gallagher, rappers Drake and Travis Scott, and football guru Pep Guardiola. But it’s not the celebrity nod that has made Stone Island a cultural cornerstone; it was the brand’s ardent ...
St. Petersburg
Before becoming a city, St. Petersburg was a utopian vision in the mind of its founder, Peter the Great. Conceived by him as Russia's "window to the West," it evolved into a remarkably harmonious assemblage of baroque, rococo, neoclassical, and art nouveau buildings that reflect his taste and that of his successors, including Anna I, Elizabeth I, Catherine the Great, and Paul I. Crisscrossed by rivers and canals, this "Venice of the North," as Goethe dubbed it, is of unique beauty. Never before has that beauty been captured as eloquently as on the pages of this sumptuous volume. From the stately mansions lining the fabled Nevsky Prospekt to the magnificent palaces of the tsars on the outskir...
The Empire's New Clothes
In 1701 Tsar Peter the Great decreed that all residents of Moscow must abandon their traditional dress and wear European fashion. Those who produced or sold Russian clothing would face "dreadful punishment." Peter's dress decree, part of his drive to make Russia more like Western Europe, had a profound impact on the history of Imperial Russia. This engrossing book explores the impact of Westernization on Russia in the 18th and 19th centuries and presents a wealth of photographs of ordinary Russians in all their finery. Christine Ruane draws on memoirs, mail-order catalogues, fashion magazines, and other period sources to demonstrate that Russia's adoption of Western fashion had symbolic, economic, and social ramifications and was inseparably linked to the development of capitalism, industrial production, and new forms of communication. This book shows how the fashion industry became a forum through which Russians debated and formulated a new national identity.
A History of World Egyptology
A History of World Egyptology is a ground-breaking reference work that traces the study of ancient Egypt over the past 150 years. Global in purview, it enlarges our understanding of how and why people have looked, and continue to look, into humankind's distant past through the lens of the enduring allure of ancient Egypt. Written by an international team of scholars, the volume investigates how territories around the world have engaged with, and have been inspired by, ancient Egypt and its study, and how that engagement has evolved over time. Chapters present a specific territory from different perspectives, including institutional and national, while examining a range of transnational links as well. The volume thus touches on multiple strands of scholarship, embracing not only Egyptology, but also social history, the history of science and reception studies. It will appeal to amateurs and professionals with an interest in the histories of Egypt, archaeology and science.
The End of Fun
Introduced with an exclusive essay by Will Self placing the eponymous sculpture The End of Fun in both the context of the Chapman's oeuvre and historical interpretations of Hell, this book is a detailed examination of the work. Completed in 2012, it is the latest incarnation of the brothers' famous Hell (1999), which was consumed in the MOMART fire of 2004. Following on in both layout and format from the book Fucking Hell (2008), The End of Fun consists of close-up photographs detailing the atrocities committed by the subjects of the work: thousands of miniature Nazis and skeletons, who seem to be engaged in an eternal battle across nine separate vitrines, arranged in the shape of a reverse swastika. Each dreadful scene is played out against a series of equally apocalyptic backdrops: a derelict factory; a concentration camp; a shattered church; an erupting volcano. Dark humour permeates: in one vitrine a still-smiling Ronald McDonald is being crucified; in another a dreadlocked Stephen Hawking grows marijuana; in yet another, seven separate Adolf Hitlers make distinctly 'degenerate' paintings of a nude, oblivious to the carnage raging around them.
