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The Presence of the Past in a Spanish Village
This study of a northern Spanish community shows how the residents of Santa MarÁa del Monte have acted together at critical times to ensure the survival of their traditional forms of social organization. The survival of these forms has allowed the villagers, in turn, to weather demographic, political, and economic crises over the centuries. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Tradition of the Image of Edessa
The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.
Ethnic Identities in Bernard Malamud's Fiction
The present study has been divided into five general chapters each of which is centred around a basic issue related to ethnic identities. This central issue may be more or less specific, largely depending on its nature and on the corpus it comprises: for example, chapter two, which bears the general title "the old country and the New World", is naturally the most extensive because of the great scope of this theme and the number of works it involves, two novels and a considerable number of stories, including the very long "Man in the Drawer. By contrast, the last chapter, entitled "Beyond Race into Myth: Seeking the Liberation of the Self", is logically the shortest because its focus is restricted to a particular function of ethnic identities, metaphorically speaking, in Malamud's fantastic works, the novel "God's Grace" and one short story. Similar proportions between length, complexity of theme and corpus treated are maintained in the three central chapters, which focus on ethnic aspects which are neither as general as chapter two nor as specific as chapter six.
Morphological Autonomy
This book is about the nature of morphology and its place in the structure of grammar. Drawing on a wide range of aspects of Romance inflectional morphology, leading scholars present detailed arguments for the autonomy of morphology, ie morphology has phenomena and mechanisms of its own that are not reducible to syntax or phonology. But which principles and rules govern this independent component and which phenomena can be described or explicated by the mechanisms of the morphemic level? In shedding light on these questions, this volume constitutes a major contribution to Romance historical morphology in particular, and to our understanding of the nature and importance of morphomic structure in language change in general.
Tense and Aspect in the Languages of Europe
The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.
The study of languages
To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.
Verbal Periphrases in Romance
The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.
Indexes
No detailed description available for "Indexes".
Collision Course
This book presents an ethnographic study which examines the ways first-year college students make sense of, engage, resist, and learn from the critical literacy approach practiced in the composition program at one Midwestern college. It argues that first-year students typically enter composition classes with an idea of writing and an understanding of what they need to learn about writing that is dramatically at odds with views and approaches of the teacher. It offers a pedagogy of "reflective instrumentalism" as a solution to this conflict; an approach which accepts students' pragmatic reasons for studying composition but then attempts to add a critical, socially aware dimension to that careerist orientation. The book's 8 chapters are: (1) Introduction; (2) The Research: Contexts, Participants, and Methods; (3) The Enigma of Arrival; (4) Ground Rules in College Composition; (5) Flashpoints: Developing an Analytic Stance; (6) Persuasion, Politics, and Writing Instruction; (7) The Dangerous Intersection of Home and School (by Sherry Cook Stanforth); and (8) Conclusion: Reflective Instrumentalism and the Teaching of Composition. Contains approximately 100 references. (SR)
