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All I Asking for Is My Body
From the Afterword by Franklin S. Odo: The most important feature of Milton Murayama's brilliant All I Asking for Is My Body is the quality of the storytelling. It deserves thorough discussion and criticism among literary professionals and students. The work has a further genius, however, in its evocation of several major topics in modern Hawaiian history, specifically during the 1930s, the decade before United States involvement in World War II. I suggest that Murayama’s novel provides us with valuable insights into the worlds of language, sugar plantation history, and the second-generation Japanese Americans, the nisei. . . . Critic Rob Wilson noted: “Part of the accomplishment of the ...
Plantation Boy
No other writer has attempted such a broad view of the nisei experience in Hawai‘i as Milton Murayama. In Plantation Boy, the third novel in a planned tetralogy that includes the highly popular All I Asking for Is My Body and Five Years on a Rock, eldest son Toshio narrates the continuing story of the Oyama family. Outspoken, proud, determined, passionate: Tosh is the voice of the rebel that authority seeks to silence; he is the proverbial "protruding nail" that Japanese tradition seeks to flatten. His fight is against not only his family’s poverty and the environment that keeps them oppressed, but also his own plantation-boy mentality. His struggles are set against the cataclysmic events of World War II—the bombing of Pearl Harbor, the internment of Japanese Americans, the heroism of the 100th and 442nd in Europe, the atrocities committed by the Japanese army in Asia—and the social and political upheavals in Hawai‘i. Here is a powerful work about Japanese in Hawai‘i that shows us more than stereotypes. By illuminating Tosh’s life, Murayama evokes a family and a community and, brilliantly, a critical vision of culture, of language, and of history itself.
Five Years on a Rock
Milton Murayama returns to the places and people of his earlier fiction - to the sugar plantation company towns and sleepy villages of Maui, and to the resilient Oyama family. Five Years on a Rock is the story of Sawa Oyama, the mother who plays a major role in All I Asking for Is My Body. In a spirited voice full of courage and wit, Sawa tells of her arrival in Hawaii in 1915 as a seventeen-year-old picture bride. But her hope of returning to Japan after "five years on a rock" wanes as the five years stretch to twenty, during which six children are born, her husband's fishing business succeeds then fails, and the family debt grows. Overworked and sick with worry, Sawa loses all her teeth and falls deathly ill, the victim, she believes, of someone else's bachi (divine retribution). She recovers, however, when an aunt dies in her stead, and she returns to her family with renewed vigor and a new set of teeth.
Dying in a Strange Land
Milton Murayama’s long-awaited Dying in a Strange Land brings to a close the saga of the Oyama family. Familiar faces from All I Asking For Is My Body, Five Years on a Rock, and Plantation Boy return to advance the story from the years immediately following World War II to the 1980s. After her husband sinks them deep in debt, strong-willed and pragmatic Sawa takes charge of the family. The war ends and her children leave the plantation camp for Honolulu and the Mainland, but Sawa has little time for loneliness or regret. When asked by her neighbors if she misses them, she replies, "They must look for what they want." However, Tosh, the eldest—who has long been saddled with the burden of ...
Assimilating Asians
DIVThis work combines social theory with literary analysis to look at how Asian American writers use literature to participate in the critique and analysis of their position in US culture./div
A Hawai'i Anthology
Since its inception in 1974, the Hawai'i Award for Literature has recognized the work of writers who have captured important dimensions of the story of Hawai'i and of the many groups of people who have made Hawai'i their home. Historians, linguists, folklorists, and practitioners of other disciplines of cultural study, as well as poets, novelists, and playwrights, are among the contributors to this extensive anthology celebrating more than two decades of the best writings in the Islands.
Asian American Literature and the Environment
This book is a ground-breaking transnational study of representations of the environment in Asian American literature. Extending and renewing Asian American studies and ecocriticism by drawing the two fields into deeper dialogue, it brings Asian American writers to the center of ecocritical studies. This collection demonstrates the distinctiveness of Asian American writers’ positions on topics of major concern today: environmental justice, identity and the land, war environments, consumption, urban environments, and the environment and creativity. Represented authors include Amy Tan, Maxine Hong Kingston, Ruth Ozeki, Ha Jin, Fae Myenne Ng, Le Ly Hayslip, Lan Cao, Mitsuye Yamada, Lawson Fus...
Dying in a Strange Land
Milton Murayama’s long-awaited Dying in a Strange Land brings to a close the saga of the Oyama family. Familiar faces from All I Asking For Is My Body, Five Years on a Rock, and Plantation Boy return to advance the story from the years immediately following World War II to the 1980s. After her husband sinks them deep in debt, strong-willed and pragmatic Sawa takes charge of the family. The war ends and her children leave the plantation camp for Honolulu and the Mainland, but Sawa has little time for loneliness or regret. When asked by her neighbors if she misses them, she replies, "They must look for what they want." However, Tosh, the eldest—who has long been saddled with the burden of ...
Pouliuli
What happens when an old man wakes up one morning and finds that everything around him now fills with revulsion? What happens when Faleasa Osovae, the highest ranking alii in the village of Maalaelua, feigns madness and throws away his responsibilities as a chief?
When We Were Colored
The African American novelist looks back at her day-to-day life raising her children in a racially segregated America.
