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Turkish Art of Illumination
Before printing, books were written with reed pens using black ink and Arabic letters on papers that were polished with ahar (Mixture made with cornstarch and egg white for polishing the paper) and mühre (a device made of glass, used to make paper smooth and shiny). Important ones were written in “beautiful writing” (Hüsn-i Hat) and embellished with illuminations, marblings, engravings and miniatures. The books prepared in such artistic ways were generally given to Padishahs, lady sultans, and notable people of the time and were dedicated to libraries founded by those who are interested in books. Manuscript libraries that contain the old waqf libraries are today centres of illumination...
The City in the Islamic World, Volume 94/1 & 94/2
The purpose of this book is to draw attention to the sites of life, politics and culture where current and past generations of the Islamic world have made their mark. Unlike many previous volumes dealing with the city in the Islamic world, this one has been expanded not only to include snapshots of historical fabric, but also to deal with the transformation of this fabric into modern and contemporary urban entities. Salma Khadra Jayyusi was awarded Cultural Personality of the Year by the Sheikh Zayed Book Award for her profound contribution to Arabic literature and culture in 2020. The paperback edition of The City in the Islamic World was published to celebrate the occasion.
Living with Nature and Things
This edited volume represents the research results of two international conferences organized and sponsored by the Annemarie Schimmel Kolleg: "Environmental Approaches in Pre-Modern Middle Eastern Studies" and "Material Culture Methods in the Middle Islamic Periods". The following work consists of three parts, which correspond to the themes of the aforementioned conferences (Contributions to Environmental History and Material Culture Studies) and a third which bridges the gap between the two approaches (Practice and Knowledge Transfer). The present contributions cover a wide range of such topics as urban pollution, local perceptions of weather, rural estate economy, Sufi understandings of nature and the body and mind, houses and socialization, text and gardens, local know-how and interdependence in medieval Syrian agriculture, crop selection and the medieval agricultural economy.
Türk cilt sanatı
Bookbinding; Turkey; 15th century; history.
The Trade in Papers Marked with Non-Latin Characters / Le commerce des papiers à marques à caractères non-latins
The nine contributions in The Trade in Papers Marked with non-Latin Characters initiated by Anne Regourd approach global history through the paper trade in Africa and Asia, mainly in the 19th-20th C. Les neuf contributions de Le commerce des papiers à marques à caractères non-latins, dont Anne Regourd (éd.) est à l'initiative, projette de traiter d'histoire globale par le commerce du papier, principalement en Afrique et en Asie des xixe et xxe s.
Living the Good Life
An exploration how consumer goods in eighteenth-century Qing and Ottoman empires furthered the expansion of social networks, the creation of alliances between rulers and regional elites, and particularly, the expression of elite, urban, and gender identities
Muthanna / Mirror Writing in Islamic Calligraphy
Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirrored image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufi, naskh, and muqahhaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed. Muthanna/Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text ...
Geographical Knowledge and Imperial Culture in the Early Modern Ottoman Empire
Exploring the reasons for a flurry of geographical works in the Ottoman Empire in the sixteenth century, this study analyzes how cartographers, travellers, astrologers, historians and naval captains promoted their vision of the world and the centrality of the Ottoman Empire in it. It proposes a new case study for the interconnections among empires in the period, demonstrating how the Ottoman Empire shared political, cultural, economic, and even religious conceptual frameworks with contemporary and previous world empires.
