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The Superwoman and Other Writings by Miriam Michelson
Collection of articles and fiction by pioneering journalist and turn-of-the-twentieth-century feminist, Miriam Michelson.
The Classic Works of Miriam Michelson
The Madigans In the Bishop's Carriage
In the Bishop's Carriage
Step into the enchanting world of Miriam Michelson’s In the Bishop's Carriage, a novel that weaves a captivating tale of adventure, romance, and intrigue. Follow the journey of a young woman whose life takes unexpected turns as she encounters a series of fascinating characters and experiences. As Michelson’s narrative unfolds, you’ll be drawn into a vibrant and richly detailed story where each chapter reveals new layers of complexity and excitement. The novel offers a blend of romance and adventure, making it a compelling read from start to finish. But here’s a question to spark your curiosity: What secrets and surprises lie in the journey of the protagonist, and how do they shape he...
In the Bishop's Carriage
DigiCat Publishing presents to you this special edition of "In the Bishop's Carriage" by Miriam Michelson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A Yellow Journalist
Enter the world of late-nineteenth century journalism in this captivating novel by Miriam Michelson. The story follows the intrepid Ruth Cranston as she navigates the male-dominated world of newspapers and struggles to uncover the truth behind a scandal involving San Francisco's elite society. Part mystery, part romance, and part social commentary, A Yellow Journalist is a compelling read that still resonates with readers today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Madigans
Miriam Michelson was a feminist force to be reckoned with. She was a brazen, liberated woman who broke gender barriers in the journalistic profession, covering crime and politics for San Francisco's top dailies throughout the 1890s, a decade that relegated most female reporters to the soft news of the so-called "Woman's Page." She went on to become one of the early 20th century's most commercially successful fiction writers, supporting herself by publishing short stories in a range of mass circulation magazines, including Century, Ainslee's, The Smart Set, and the Ladies' Home Journal. Throughout Michelson's 40-year career, her interest remained with the imaginary adventures of audacious women making it on their own. Virginia City figures prominently in Michelson's second, admittedly autobiographical novel, The Madigans (1904), a devilish romp about a sextet of trouble-making sisters, and is the subject of her only full-length work of nonfiction.
Anthony Overman
"A young woman journalist investigates a religious colony in California." Cf. Hanna, A. Mirror for the nation.
The Madigans (Illustrated Edition) (Dodo Press)
Miriam Michelson (1870-1942) was an American author. Her works include: In the Bishop's Carriage (1904), The Madigans (1904), A Yellow Journalist (1905), Anthony Overman (1906), Michael Thwaite's Wife (1909), The Awakening of Zojas (1910), Petticoat King (1929) and The Wonderlode of Silver and Gold (1934). "Sissy, who had been sitting writing only half dressed, folded the paper reverently, put it to her lips for lack of a seal, and then buttoned it firmly inside her corset waist. She felt so virtuous already that the carrying out of her intentions seemed really supererogatory. When she went to Irene to have her button her dress in the back, she had such a sensation of holiness, such a consciousness of a forbearing, pure, and gentle spirit, that her sister's malicious pretense of ignoring her presence appeared to her nothing less than sacrilege. "
