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South American Cinematic Culture
This study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives), altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most significant sites for non-Western filmmaking in the twenty-first century. There is an awareness of the place South American cinema has on the international stage and, for this reason, the study involves an in depth look at the way film products are circulated within national boundaries and through external global circuits. Drawing on scholarship from studies on Latin American culture, cultural policy, indigeneity, digital technology, globalisation, transculturation and the public sphere, new links are traced between the various fields.
3D Cinema
3D Cinema: Optical Illusions and Tactile Experiences questions the common frameworks used for discussing 3D cinema, realism and spectacle, in order to fully understand the embodied and sensory dimensions of 3D cinema's unique visuality.
Lawyer Manley
The first in a series devoted to the legal career of the Rt Excellent Norman Manley, QC, MM. This phase of his life spanned some thirty-three years and terminated when Manley became chief minister of Jamaica in 1955. During that time he won a legendary position for himself at the Jamaican Bar appearing in numerous civil and criminal cases, both at first instance, and in the appellate court. Written in narrative style from a court room perspective, First Time Up deals primarily with twenty-four of Manley's early cases from 1922 to 1925. Based on court reports, Manley's legal papers, diaries and letters, the material is revealing historically, legally and sociologically. Manley's cross-examinations were hardly ever without excitement and those of expert witnesses an intellectual treat. Witnesses offer a mass of detail about life in Jamaica in the 1920s and the verdicts dispel the assumption that Manley never lost a murder trial. The reader meets a host of Jamaican personalities, all in their early, formative years, as jurors, clients or hostile witnesses pitting their wits against Manley in the box.
