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This is the story of Rukmini who is married to the District Collector of a small town in Assam, and teaches English literature in the local college. On the surface, her life is settled and safe in the big, beautiful bungalow on the hill above the cremation ground, seemingly untouched by the toil and sufferings of the common folk living 'below'. And yet, each time there is an 'incident' in the district, the fear and uncertainty that grips the town finds a reflection in her own life. Assam is in the grip of insurgency and it is this thread that runs like a dark river through the novel and forms its backdrop.
If music be the food of love…four musicians are about to feast. Against the backdrop of a magnificent musical heritage and the haunting and timeless ragas that sweep through these stirring pages, Mitra Phukan presents the ambitious sitarist Kaushik Kashyap, already a ‘name’, who tours the world; Nomita, the shy, small-town vocalist, whom Kaushik’s parents have chosen for him; the beautiful, calm Sandhya Senapati and her handsome husband, who both seem to be hiding deep, dark secrets. As the eventful monsoon months give way to autumn, the characters come to a deeper understanding of themselves as their lives change dramatically and forever. By turns serious, deeply moving and utterly irreverent, Mitra Phukan’s eye for detail, her immense knowledge of Hindustani music and her profound understanding of human nature come together in this wonderfully evocative novel. “The duality between spirituality and materialism... old-world images and modern performers, a gentle satire on the ambitions of today’s youngsters... all find a place in the novel.”—The Hindu Published by Zubaan.
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These Short Stories Reflect The Myriad Moods Of Childhood Its Triumphs And Disappointments, Its Tears And Fears, Its Joys And Secrets.
A musician never realized the truth of the saying 'Music is a harsh taskmaster' until his beloved instrument exacts the highest sacrifice. An unfaithful husband is baffled: his wife grows more and more perfect until she literally becomes the goddess of plenty. A loving mother is naturally distraught at the kidnapping of her son by insurgents...or is she? And Modon Sur, with the spoils of a full night's thievery in tow, finds himself in a sticky situation on a black amavasya night. In this collection, Mitra Phukan sounds the rhythms of contemporary Assamese society, deftly weaving universal themes of love, loss and ageing with some of the issues facing the region: militancy, witchcraft, and the breakdown of traditional ways of life. Her stories acutely depict people's struggles to relate to each other across vast social gulfs and within the intricacies of family and love. Intimate, allusive, and wryly observed, A Full Night's Thievery is a finely drawn portrait of humanity by one of the most prominent literary voices in Assam today.
The Greatest Assamese Stories Ever Told spans more than a century of work by some of the finest writers of short fiction in the language. The storytellers range from literary masters such as Lakhminath Bezbaroa, Mamoni Raisom Goswami, Saurav Kumar Chaliha, Birendra Kumar Bhattacharyya, and Homen Borgohain to contemporary writers like Harekrishna Deka, Debabrata Das, and Kuladhar Saikia. Among the gems to be found in this selection are Lakhminath Bezbaroa's 'Patmugi' which is a searing portrayal of the injustices of society, especially towards women; Mamoni Raisom Goswami's 'Values', an unforgettable depiction of a destitute woman, for whom her Brahmin ancestry is the only thing that she can ...
Domination over women has a long historical glimpse over the period of time, ‘women’ being one integral part of the society represents the earthly nature of acceptor which also includes dominations and violence unlike its counterpart ‘men’, the stronger and more independent one. Although these two parts are interdependent, the evidence of superiority and dominating nature of men over women have their appearance throughout the world. These dominations went beyond the limitations of race, class, color, place, and other social divides.
Translated into English, each of the 18 stories tell a new tale. Coming from Assam, the land of the Brahmaputra, the stories bring forth images of an insurgency-affected land and also its rich culture and tradition.
Folk Tales, Plays and Novellas from the wingtip of India, the North East. Exciting journeys: from the depths of a well to the skies via a golden bridge, from the battles between the Japanese and the Nagas to the war between the sun and people, from insurgency in Mizoram to the pleas of a just-dead soul wishing to stay alive, from the mind of a wolf boy to the mythical account of how man first cultivated paddy.