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Every "period" in modern comics history has had its anthology that tapped into the zeitgeist and foreshadowed a new "generation" of cartoonists (Zap in the '60s; Arcade in the '70s; RAW and Weirdo in the '80s, etc.). For the new millennium, there is MOME. This accessible, reasonably priced quarterly book will run approximately 136 pages per volume and spotlight a regular cast of a dozen of today's most exciting cartoonists. Designed by acclaimed designer and cartoonist Jordan Crane, MOME will feature an iconic design and consistent format that should quickly establish the anthology as the most distinctive and accessible anthology of literary comics available.
This third issue of MOME will include the following: John Pham's "221 Sycamore Street," presented in a unique three-color process and design that recalls the classic strip Gasoline Alley; Paul Hornschemeier's "Life with Mr. Dangerous," a full-color narrative about a young woman who struggles to define a life outside of the example her mother provides, spending far too much time watching a cartoon called "Mr. Dangerous"; and David Heatley (Deadpan, McSweeney's) tells a story from the fictional town of Overpeck, a city he conceived in a dream. The issue also features new work by Anders Nilsen (in full-color), Jeffrey Brown (of Clumsy, Big Head!, and McSweeney's fame), Andrice Arp (Sheherezade), Kurt Wolfgang (Where Hats Go), Gabrielle Bell (Sheherezade), Jonathan Bennett (Esoteric Tales), Sophie Crumb (Belly Button Comix), and Marc Bell (Shrimpy & Paul).
Mome (mo~m), n. Archaic, a fool; blockhead. The influence of Fantagraphics’ flagship quarterly anthology of new comic art and storytelling continues to grow. Celebrating its fifth anniversary in 2010, the series has published over 2,000 pages of comics in its half-decade of existence, becoming a staple for those eager to discover what’s new in the world of literary comics. MOME showcases the best new talent of this decade’s ascendant cartoon generation, alongside work from some of North America and Europe’s most respected creators.
The acclaimed quarterly comics anthology welcomes several new artists along with returning regulars Jonathan Bennett, Sophie Crumb, Andrice Arp, Paul Hornschemeier and Kurt Wolfgang. Among the newcomers are rising stars Eleanor Davis, T. Edward Bak, Zak Sally, Tom Kaczynski, Joe Kimball and Ray Fenwick. Tim Hensley also returns with more of his brilliant "Wally Gropius" strips, as do fan-favorites Al Columbia and R. Kikuo Johnson!
The influence of Fantagraphics’ flagship anthology of new comic art and storytelling continues to grow with annual award nominations, a widely-acknowledged banner 2008 that foundMOME on many year-end critics’ lists, increasing academic and library interest, several gallery exhibitions mounted nationwide, and an increasingly potent well of top-notch, known and unknown talent making every issue a surprising, dense and delightful read. With this season, the quarterly journal of comics will have brought over 2,000 pages of new comics to the world since its inception in 2005. Upcoming contributors of short stories to MOME include: Lilli Carré, Laura Park, Olivier Schrauwen, Tom Kaczynski, Dash Shaw, Ray Fenwick, Émile Bravo, Andrice Arp, Al Columbia, Eleanor Davis, Nathan Neal, Conor O’Keefe, Jon Vermilyea, Jonathan Bennett, Robert Goodin, Sara Edward-Corbett, Derek Van Gieson, and many more
Since its inception in 2005, MOME has bridged the gap between the contemporary graphic novel scene and the current cutting-edge literary scene, serving as a perfect sampler of today's best young graphic novelists in a quarterly format that sits as handsomely on the newsstand alongside journals like McSweeney's and Paris Review as it does in the graphic novels section. Volume 12 welcomes back renowned graphic novelist David B. (Epileptic) for the first time since the fourth volume. MOME also features returning regulars Jonathan Bennett, Sophie Crumb, Andrice Arp, Paul Hornschemeier, Kurt Wolfgang, Eleanor Davis, Zak Sally, Tom Kaczynski, Dash Shaw, Joe Kimball, and Ray Fenwick. Tim Hensley al...
This accessible, reasonably priced, quarterly anthology runs approximately 120 pages per volume and spotlights a cast of a dozen of today's most exciting cartoonists. Mome is quickly earning a reputation as one of the premier literary anthologies on the market, and the only one comprised entirely of comics. Hightlights of the seventh and eighth volumes include: the concluding chapters of Lewis Trondheim's "At Loose Ends," an autobiographical diary comic that portrays the acclaimed French cartoonist at a crossroads in his life and work; the Momedebuts of Eleanor Davis, Tom Kaczynski and T. Edward Bak; contributions from Momeregulars such as 2006 Eisner Award Most Promising Newcomer nominees Jonathan Bennett and R.Kikuo Johnson, as well as Tim Hensley, David Heatley, Paul Hornschemeier, Anders Nilsen, Sophie Crumb, Kurt Wolfgang, Andrice Arp, Martin Cendreda, Zak Sally and Gabrielle Bell.
Mome, n. Archaic, a fool; blockhead. The influence of Fantagraphics’ flagship quarterly anthology of new comic art and storytelling continues to grow. Celebrating it’s fifth anniversary in 2010, the series has published over 2,000 pages of comics in its half-decade of existence, becoming a staple for those eager to discover what’s new in the world of literary comics. Mome showcases the best new talent of this decade’s ascendant cartoon generation, alongside work from some of North America and Europe’s most respected creators.
Mome (mo~m), n. Archaic, a fool; blockhead. The influence of Fantagraphics’ flagship quarterly anthology of new comic art and storytelling continues to grow. Celebrating its fifth anniversary in 2010, the series has published over 2,000 pages of comics in its half-decade of existence, becoming a staple for those eager to discover what’s new in the world of literary comics. MOME showcases the best new talent of this decade’s ascendant cartoon generation, alongside work from some of North America and Europe’s most respected creators.
Since its inception in 2005, MOME has served as a McSweeney’s for comics. Whether exposing new talent like Eleanor Davis (author of the recent Stinky by Toon Books); featuring short stories by contemporary graphic novelists like Dash Shaw (The Bottomless Belly Button); bringing the work of international superstars like David B. (Epileptic) to American audiences; or introducing the work of legends like Gilbert Shelton (The Fabulous Furry Freak Brothers) to a new generation of readers, MOME is the most acclaimed, accessible, frequent, and reasonably priced anthology on the market despite its high production values and mostly color format.