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Includes subject section, name section, and 1968-1970, technical reports.
Publisher description
Museums and cultural institutions across North America and Europe are being transformed by budget cuts, re-evaluation of their cultural missions, evolving concepts of museology, and changing audiences, making Brian Young's trenchant history of a prestigious university museum, Montreal's McCord Museum of Canadian History, especially pertinent. In The Making and Unmaking of a University Museum Young elucidates the relationship between museums and communities by examining the nineteenth-century social context of the family who bequeathed their collection to McGill University and the collection's fate in an academic institution. Tracing the museum's history from its founding by David Ross McCord...
When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture.
This collection examines enduring and topical questions in sexual and reproductive health in a range of contemporary Asian cultures. Beliefs and practices surrounding conception, pregnancy, birth, and confinement are studies in culturally specific contexts in Japan, Taiwan, the Philippines, Thailand, Laos, Cambodia, and Indonesia. Important and widely applicable health issues are also addressed, including the perception and management of HIV/AIDS, experiences of menopause and the interaction of cosmopolitan ("western'') medicine with traditional healthcare.
The first women Latinists lived in renaissance Italy. The new learning spread from there to the rest of Europe. The original purpose of teaching women Latin was diplomacy, but later women used the language in many ways.
Folklore provides a metaphor for insecurity in British women's writing published between 1750 and 1880. When characters feel uneasy about separations between races, classes, or sexes, they speak of mermaids and «Cinderella» to make threatening women unreal and thus harmless. Because supernatural creatures change constantly, a name or story from folklore merely reinforces fears about empire, labor, and desire. To illustrate these fascinating rhetorical strategies, this book explores works by Sarah Fielding, Ann Radcliffe, Sydney Owenson, Charlotte Brontë, George Eliot, Anne Thackeray, and Jean Ingelow, pushing our understanding of allusions to folktales, fairy tales, and myths beyond «happily ever after.»
A feminist and psychoanalytic investigation of the contemporary fascination with impersonation. The questions raised by female impersonations in a wide range of contemporary media are considered.
In this provocative new book -- the first one to examine print and broadcast news coverage of women's issues in English Canada -- Barbara Freeman explores what the media were saying about women and their concerns during an important period in our history -- and why. The Satellite Sex is both a social history and a media case study of the years 1966-1971, when the feminist movement began once more to gather support. Women wanted equal treatment under the law, and they wanted rights they had not gained when they won the vote many years earlier. In response, the Canadian government appointed a federal inquiry on the status of women, and hundreds of women came forward to talk to the Commission about the injustices they experienced at school, at work, in public life, in their homes, and even in their bedrooms. The Satellite Sex demonstrates that the print and broadcast media coverage of women's issues at that time were much more complex and fragmented than revealed by research in the United States on the same era. This book, released thirty years after the Canadian Commission presented its report, also raises questions about the lack of strong feminist voices in today's news media.
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