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Don Juan Tenorio
Don Juan acepta el reto que le lanza don Luis: conquistar a su prometida, doña Inés. El Tenorio lo consigue, y don Luis, despechado, acude al encuentro de don Juan, que lo mata y huye. Pasados cinco años regresa para descubrir que doña Inés ha muerto.
Intersections of Race, Class, Gender, and Nation in Fin-de-siècle Spanish Literature and Culture
This volume focuses on intersections of race, class, gender, and nation in the formation of the fin-de-siècle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, social class, race, and national identity few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa. Such revelations call into question metanarratives about the exploitation of one group by another and bring to light interlocking systems of identity formation, and consequently oppression, that are difficult to disentangle. The authors included here study this dynamic in a variety o...
Whole Faith
Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- 1. Franciscan Principles -- 2. Imitation and Deviation -- 3. Travels through Catholic Europe -- 4. Toward the Lamb, with the Lamb -- Conclusion -- Bibliography -- Index
Otherness and National Identity in 19th-Century Spanish Literature
A comprehensive exploration of the several subaltern types and social groups that were placed at the margins of national narratives in Spain during the nineteenth century. Una mirada profunda a los diversos tipos y grupos sociales que fueron relegados a los márgenes del relato nacional en la España decimonónica.
Relatos Decimonónicos Sobre el Tiempo de Enrique III de Castilla
Estudio y edición de diecisiete relatos sobre el tiempo de Enrique III de Castilla en el contexto de la relectura y la reescritura decimonónica de la Eda Media. Se trata de textos que se publican en el siglo XIX en prensa y en libro, por entregas y en folletín, todos ellos poco conocidos y nunca antes editados modernamente.
Geographies of Urban Female Labor and Nationhood in Spanish Culture, 1880-1975
Mar Soria presents an innovative cultural analysis of female workers in Spanish literature and films. Drawing from nation-building theories, the work of feminist geographers, and ideas about the construction of the marginal subject in society, Soria examines how working women were perceived as Other in Spain from 1880 to 1975. By studying the representation of these marginalized individuals in a diverse array of cultural artifacts, Soria contends that urban women workers symbolized the desires and anxieties of a nation caught between traditional values and rapidly shifting socioeconomic forces. Specifically, the representation of urban female work became a mode of reinforcing and contesting ...
Approaches to Teaching the Writings of Emilia Pardo Bazán
"Emilia Pardo Bazán (1851-1921) was the most prolific and influential woman writer of late nineteenth-century Spain," write the editors of this volume in the MLA's Approaches to Teaching World Literature series. Contending with the critical literary, cultural, and social issues of the period, Pardo Bazán's novels, novellas, short stories, essays, plays, travel writing, and cookbooks offer instructors countless opportunities to engage with a variety of critical frameworks. The wide range of topics in the author's works, from fashion to science and technology to gender equality, and the brilliance of her literary style make Pardo Bazán a compelling figure in the classroom. Part 1, "Material...
Carlos II el Hechizado
On November 2 1837 the opening of Carlos II el Hechizado (Charles II the bewitched) at the Teatro del Principe in Madrid, Spain, became one of the greatest scandals of its times. The play is about an alleged spell cast on Charles II, the last Habsburg who reigned in Spain, by a young girl accused of the crime by a libidinous priest, father Froilan. The king condemns the girl to burn at the stake, in spite of knowing that she is his own daughter. The contemporary critique attacked the play blaming it of immorality and exaggeration, of containing scenes of base melodramatic quality and macabre iconography, and the lack of respect shown by the author towards the historical main character and th...
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