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This title offers a look at the work of photographer Abelardo Morell.
Abelardo Morell's first monograph, from the Smithsonian's Photographers at Work series, includes selections from his camera obscura series, as well as samples of book photographs, objects, and night shots.
"Set One of the series highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s"--Nazraeli Press website, viewed July 10, 2014 (http://www.nazraeli.com/new-page).
A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society In Art Can Help, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that "encourages us to gratitude and engagement, and is of both personal and civic consequence." Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts--more than ...
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Originally published: New York: Holt, Rinehart and Winston, c1974.
Abelardo Morell, author of last year's award-winning A Book of Books, makes magical camera obscura images in darkened interiors. The deceptively simple process--he blacks out all of the windows leaving just a pinhole opening in one of them--produces photographs of astonishing, complex beauty. Due to the nature of refracted light, the world outside his darkened room is projected, upside-down, onto the interior space within which he works, converting the room, in effect, into the interior of a camera. Morell then photographs the results with a large-format view camera, often requiring exposures of eight hours or more. Locations around the world were chosen for the interesting details and juxtapositions they would elicit--the Empire State Building lies across a bedspread in a midtown Manhattan interior; the Tower of London is imprinted on the walls of a room in the Tower Hotel; the countryside in rural Cuba, Morell's birthplace, plays across the walls of a crumbling interior that is rich with the patina of its own history. Every image is full of surprises and revelations.
A visual tribute to the printed word, this delicious ode to the book will be irresistible to anyone who treasures the feel of fine paper and the special allure of a clothbound volume.Abelardo Morell's elegant photographs of books are presented induotone reproductions, highlighting the grace and sensuality of theprinted page. Morell has selected unusual books, like a leather-bound volume that is smaller than a paper clip, an impossibly large dictionary and illustrated books whose characters appear to leap off the page.He has photographed the endless ocean of books in a library and thestrikingly beautiful way in which weathered and water-damaged bookstake on sculptural form.
'Sacks is rightly renowned for his empathy . . . anyone with a taste for the exotic will find this beautifully written book highly engaging' – Sunday Times Always fascinated by islands, Oliver Sacks is drawn to the Pacific by reports of the tiny atoll of Pingelap, with its isolated community of islanders born totally colour-blind; and to Guam, where he investigates a puzzling paralysis endemic there for a century. Along the way, he re-encounters the beautiful, primitive island cycad trees – and these become the starting point for a meditation on time and evolution, disease and adaptation, and islands both real and metaphorical in The Island of the Colour-Blind.
The first handbook to systematically detail experimental photographic techniques that manipulate conventional camera technology to create stunning images