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Thomas Morley
An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities ...
The Haunting
Love peace pain and grief masks of holy truths receive the blessings of one's love, funny how you need the devil hides in every shadow, brightness is the key so in your heart bear every bad and just be glad that all ends well. Save your face except in love, for love holds all above. Thomas Morley
Elizabethan Music and Musical Criticism
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Thomas East and Music Publishing in Renaissance England
"In Thomas East and Music Publishing in Renaissance England, Jeremy Smith not only tells the story of this influential player in early English music publishing, but also offers a vivid portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. From this lively market, beset as it was by monopolies and lawsuits, a prototype of today's copyright system emerged."--Jacket.
