You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sidney Coleman (1937-2007) was a renowned theoretical physicist, who taught for more than forty years at Harvard University. He contributed critical work on quantum field theory, high-energy particle physics, and cosmology. He was also a remarkably effective teacher who introduced generations of physicists to quantum field theory, mentoring several leading members in the field. His sense of humor and wit became legendary. This selection of his previously unpublished correspondence illuminates changes in theoretical physics and in academic life over the course of Coleman's illustrious career.The letters show the depth of Coleman's activities and interests, including science fiction, space travel, and the US counter culture.The volume also includes Coleman's legendary lecture 'Quantum Mechanics in Your Face.'
Basil Macdonald Hastings's dramatization of Joseph Conrad's Victory enjoyed a run of over eighty performances at London's Globe Theatre in 1919 with actor-producer Marie Löhr in the role of Lena. It remains the most successful stage adaptation of Conrad's fiction and Conrad himself was closely involved in the development of the script. This generously illustrated volume presents the complete script of Macdonald Hastings's play, the collected theatre reviews of the production, and the stage censor's confidential report on the script. The volume also features a substantial introduction placing the original novel and its subsequent dramatization in a stimulating critical and cultural context.
This volume makes available a variety of texts by Joseph Conrad's friends and contemporaries, ranging from a sailing memoir by his oldest English friend to a dramatic adaptation of his novel Victory, and from his secretary's notebook to his last will and testament. Often mentioned or cited by scholars, these texts are here published in full for the first time. They also reveal Conrad speaking between the lines in various voices, and raise theoretical questions about the social nature of authorship and the construction of authorial canons.
None
None
Samuel Hollander's interpretation of Ricardo has attracted apoplectic responses from both Right and Left. This volume collects together the material needed to evaluate these responses. His basic position - that Ricardo stands in a continuous analytical line leading from Adam Smith to Alfred Marshall - is seen to antagonise both those who argue for a 'marginal revolution' and a sharp divide between classical and neo-classical economics, and those who want to champion Ricardo as a forerunner of Sraffa.