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Reprint of the original, first published in 1843.
Catherine Grace Frances Gore's 'Paris in 1841' is a delightful travelogue that provides a fascinating glimpse into life in the French capital during the mid-19th century. Drawing on her own observations and experiences, Gore offers a vivid and engaging portrait of the city, from its grand boulevards to its colorful characters. This book is a must-read for anyone interested in the history of Paris or the art of travel writing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Hardly is a figure more maligned in British history than Robert Stewart, Viscount Castlereagh. One of the central figures of the Napoleonic Era and the man primarily responsible for fashioning Britain's strategy at the Congress of Vienna, Castlereagh was widely respected by the great powers of Europe and America, yet despised by his countrymen and those he sought to serve. A shrewd diplomat, he is credited with being one of the first great practitioners of Realpolitik and its cold-eyed and calculating view of the relations between nations. Over the course of his career, he crushed an Irish rebellion and abolished the Irish parliament, imprisoned his former friends, created the largest Britis...
Before about 1840, there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the twentieth century, "men of letters" acclaimed novels as a form of great literature, and most critically successful novelists were men. In the book, sociologist Gaye Tuchman examines how men succeeded in redefining a form of culture and in invading a white-collar occupation previously practiced mostly by women. Tuchman documents how men gradually supplanted women as novelists once novel-writing was perceived as potentially profitable, in part because of changes in the system of publishing and rewarding authors. Drawing on unusual data ranging from the archi...