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Women and Marriage in Nineteenth-Century England
The 'bonds of matrimony' describes with cruel precision the social and political status of married women in the nineteenth century. Women of all classes had only the most limited rights of possession in their own bodies and property yet, as this remarkable book shows, women of all classes found room to manoeuvre within the narrow limits imposed on them. Upper-class women frequently circumvented the onerous limitations of the law, while middle-class women sought through reform to change their legal status. For working-class women, such legal changes were irrelevant, but they too found ways to ameliorate their position. Joan Perkin demonstrates clearly in this outstanding book, full of human insights, that women were not content to remain inferior or subservient to men.
Women and Marriage in Nineteenth-Century England
The 'bonds of matrimony' describes with cruel precision the social and political status of married women in the nineteenth century. Women of all classes had only the most limited rights of possession in their own bodies and property yet, as this remarkable book shows, women of all classes found room to manoeuvre within the narrow limits imposed on them. Upper-class women frequently circumvented the onerous limitations of the law, while middle-class women sought through reform to change their legal status. For working-class women, such legal changes were irrelevant, but they too found ways to ameliorate their position. Joan Perkin demonstrates clearly in this outstanding book, full of human insights, that women were not content to remain inferior or subservient to men.
From Sensation to Society
From Sensation to Society tracks the evolution of Mary Elizabeth Braddon's critique of Victorian marriage in the early phase of her long and prolific novel-writing career. The study begins with Braddon's two famous sensational novels, Lady Audley's Secret (1862) and Aurora Floyd (1863); it ends with her first novel of "society," The Lady's Mile (1865). In the novels of this period, Braddon proved herself to be a relentless critic of the patriarchal powers and privileges that determined the conditions of marriage for women. As she depicted in the lurid excesses of sensationalism, at its worst marriage for women amounted to a sentence of cruel and unjust imprisonment in a world of insanely distorted values. Subsequent novels rigorously dissect the contradictions in the Victorian ideal of middle-class marriage and dramatize how the conditions of marriage undermine marital happiness and result in the compromise of marital fidelity. An advocate of moderate reform, Braddon offers alternative models of marriage in which companionate harmony prevails. Natalie Schroeder and Ronald A. Schroeder are Professors in the English department at the University of Mississippi.
Victorian Women Writers and the Woman Question
This book was first published in 1999. This collection of essays by leading scholars from Britain, the USA and Canada opens up the limited landscape of Victorian novels by focusing attention on some of the women writers popular in their own time but forgotten or neglected by literary history. Spanning the entire Victorian period, this study investigates particularly the role and treatment of 'the woman question' in the second half of the century. There are discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art. Moving from Margaret Oliphant and Charlotte Mary Yonge to Mary Ward, Marie Corelli, 'Ouida' and E. Nesbit, this book illuminates the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.
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