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Murathan Mungan • Javier Cercas: “Bir şey ya romandır ya da tarih.” • Yazarın Fırçası: Charlotte ve Emily Brontë, George Sand, Elizabeth Bishop • Tanıl Bora: “Devamlılık içinde değişim, değişim içinde devamlılık…” • Tahar Ben Jelloun: Edebiyat Ne Yapabilir? Edebiyatımızın önde gelen dergilerinden Notos, yaptığı bütün yazar dosyalarını kalıcı bir kaynağa dönüştüren anlayışıyla bu sayıda Murathan Mungan’a yöneliyor. Murathan Mungan her şeyden önce şair. Yaşayan edebiyatımız içinde okurlarını kendi çekim alanında onun kadar güçlü tutan bir şair olmak kolay değil. Üstelik hemen yanında öykücülüğü var. Sonra oyun...
Winner of the 2021 Global Humanities Translation Prize Among Murathan Mungan’s signature works, Cenk Hikâyeleri (Valor: Stories) has long been considered a milestone of twentieth-century Turkish literature. The six short stories in the collection reflect the author’s multiethnic background (which includes Kurdish, Arab, and Turkish heritage) and represent his lush poetics, literary breadth, and sociopolitical commitments. Valor reimagines Shahmaran, a mythical half‐human, half‐snake figure that commonly appears in the folklore of Turkey’s southeastern provinces. Legend interweaves with the contemporary realities of ethnicity, religious dogma, gender, and sexuality. Uncovering hidden narratives within a rich and complicated culture, Mungan’s stories depict self-realization and sexual awakening as they showcase one of Turkey’s most popular literary voices.
This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.
Shâmaran: The Neolithic Eternal Mother, Love and the Kurds covers one of the earliest ancient figures of Mother Earth, Shâmaran, of the Zagros Mountains, which is at the crossroads of Iran, Anatolia, and Mesopotamia, and has historically been a melting pot of diverse groups, contributing to the formation of the Kurdish nation. This unique convergence has played a pivotal role in shaping the rich history, culture, language, and the very essence of their homeland, Kurdistan.Shâmaran is the significant religiocultural symbol, serving as a poignant embodiment of this heritage. The book meticulously documents, deconstructs and interprets Shâmaran's myth and her Neolithic image, recognizing their profound significance as manifestations of the Mother Earth Goddess.The study details the philosophy and symbolism of her faith, deciphers the content in the region within the existing pre-Islamic Kurdish religions namely Alevism, Yarsanism, and Êzidism and Kurdish culture as a whole.
This book examines the place Antisemitism occupies within Turkish history and society, especially since the rise of the AKP. It also elucidates and analyses the various actors, factors, and changes that the term and the phenomena "Antisemitism" have gone through. Additionally the book presents the Turkish regime's relations, attitude, and approach toward the Turkish-Jewish community in Turkey.
This anthology features a wide variety of poems about social justice, love, evocations of history, humanitarian concerns, and other themes. It contains stirring examples of the revolutionary romanticism of Nazi m Hikmet; the passionate wisdom of Fazil Hüsnü Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behçet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets. These poems are infused with their own unique flavors while speaking in an unmistakably universal style.
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The characters in Sema Kaygusuz’s stories often burn with a conviction only they possess: an old man wakes from a dream one morning with a vision of where water can be found after years of drought; a grandmother claims she regularly entertains a snake in her yard, who tells her stories in a language only she understands; a woman responds to the death of her auntie by insisting she hasn’t really died… Elsewhere, it is a darker secret these characters’ carry, one that can only be revealed through a process of profound metamorphosis – either literally, like the reclusive old man who begins to acquire injuries he claims he’s always had, or in terms of their revealed histories, as their past is peeled away, layer after layer. Blending mysticism and modernity, Kaygusuz’s stories demonstrate why she is regarded as one of the most promising writers in Turkey today.
Arter initiated a new publication series, ARTER BACKGROUND, in 2019 to accompany exhibitions drawn from its collection, which holds more than 1.400 works of art. The fourth book of the series accompanies Locus Solus, which brings together selected works from the Arter Collection with several large-scale installations, including site-specific new productions, with an aim to explore the idea of “nature” through the lens of facts, fictions and emotions. In the book, excerpts of textual and visual contents selected around the ideas active in the curatorial process of the exhibition are complemented by new works produced specifically for this context. While the exhibition curated by Selen Ans...