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A travers une étude des rapports qui s'établirent entre Rubens et la France d'Henri IV et de Louis XIII, A. Merle Du Bourg analyse la question de la réception du maître en France entre 1600 et 1640. Comprend une étude de la diffusion de son art à travers le collectionnisme et l'estampe et un examen de la question controversée de l'influence de Rubens sur l'art français avant 1640.
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Completely updated with information supplied by administrators and staff, the sixth edition of Museums of the World provides valuable research and professional information for some 27,000 museums in 192 nations. Organized by country and city within individual nations, entries include address ... telephone, fax, and e-mail numbers ... description of holdings and facilities ... museum director's name ... and more.
Examines Cezanne's use of imagery in his earliest works, the years before he turned to impressionism
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.