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The Architecture of the Museo Picasso Málaga from the Sixth Century B.C. to the Twenty-first Century
Este libro recorre la historia de la sede del Museo Picasso de Málaga. Es traducción de el libro "Arquitectura del Museo Picasso Málaga. Desde el siglo VI antes de Cristo hasta el siglo XXI", que recoge el proceso arquitectónico de restauración del Palacio de Buenavista para ser convertido en sede de la pinacoteca y de construcción de nuevos edificios en el barrio de la judería malagueña.
Sophie Taeuber-Arp
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Kippenberger Meets Picasso
In 1988, Martin Kippenberger moved to Spain with Albert Oehlen. The self-portraits in huge underpants he painted there are directly linked To The famous photo from 1962, In which Picasso poses in giant underpants. The author looks speci'cally at the works by Kippenberger that link to his big role model Picasso: The Jacqueline Serie, The paintings Pablo couldn't paint anymore and Elite 88.
Picasso Horses
The horse was a constant reference point in the work of Picasso. He experienced the last moments of the civilisation of the horse in the 20th century and while the presence of the horse is barely found in his earliest works it becomes ever more present as his career progresses. Picasso's impressions of the horse from visiting the bullfights at La Malagueta as a ten-year old boy through his career that took him to Paris, Barcelona, Málaga and beyond are brought together into more than 50 works of art, that for the first time tell a story of a world now almost forgotten where the horse was part of daily life. Picasso liked all horses without exception and as he depicted them in his work they were all appealing, whether circus horses, children's toys, idealised classical horses, race horses or funeral horses. As Dominique Dupuis-Labbe writes, 'aside from works devoted to the women he loved, Picasso never better celebrated the fusion of emotion and creation than when he focused on the subject of the horse.'
Genealogies of Art, Or the History of Art As Visual Art
How artists, historians and theorists have diagrammed art's lineages, from the Middle Ages to Fluxus Genealogies of Art analyzes the visual representations of art history made by artists, critics, designers, theorists and poets alike, from the genealogical trees of the 12th through the 15th centuries and the Renaissance to more recent information graphics, including paintings, sketches, maps, plans, prints, drawings and diagrams. The conceptual core of the book is the famed chart that Alfred H. Barr, first director of the Museum of Modern Art, composed for the cover of his landmark exhibition Cubism and Abstract Art in 1936, which sought to trace the origins of abstract art from 1890 to 1936...
Miquel Barceló
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