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The Cap and Gown
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Poetic Sisters
In Poetic Sisters, Deborah Kennedy explores the personal and literary connections among five early eighteenth-century women poets: Anne Finch, Countess of Winchilsea; Elizabeth Singer Rowe; Frances Seymour, Countess of Hertford; Sarah Dixon; and Mary Jones. Richly illustrated and elegantly written, this book brings the eighteenth century to life, presenting a diverse range of material from serious religious poems to amusing verses on domestic life. The work of Anne Finch, author of "A Nocturnal Reverie," provides the cornerstone for this well informed study. But it was Elizabeth Rowe who achieved international fame for her popular religious writings. Both women influenced the Countess of Her...
The Selected Papers of Jane Addams
Venturing into Usefulness, the second volume of The Selected Papers of Jane Addams, documents the experience of this major American historical figure, intellectual, social activist, and author between June 1881, when at twenty-one she had just graduated from Rockford Female Seminary, and early 1889, when she was on the verge of founding the Hull-House settlement with Ellen Gates Starr. During these years she evolved from a high-minded but inexperienced graduate of a women's seminary into an educated woman and seasoned traveler well-exposed to elite culture and circles of philanthropy. Themes inaugurated in the previous volume are expanded here, including dilemmas of family relations and gender roles; the history of education; the dynamics of female friendship; religious belief and ethical development; changes in opportunities for women; and the evolution of philanthropy, social welfare, and reform ideas.
The Art of Discrimination
First published in 1964, The Art of Discrimination is a study in the relation between critical theory and practice, taking as its test-case James Thomson’s The Seasons, the poem which was, according to Johnson, of "a new kind". Professor Cohen explores the different applications of criticism from 1750 to 1950, analysing specific interpretations of the poem that altered, contradicted or supported poetic theory. In doing so, he introduces new techniques to supplement traditional critical commentary: illustrations are treated as interpretations and critical language is related to non-literary as well as literary information. In treating the history of critical interpretation, the reprinting o...
His and Hers
Exploring territory seldom visited by feminist scholars, Ann Messenger in this new book presents eight studies of literary relationships between men and women writers, ranging from the Restoration to the end of the eighteenth century. The essays show men and women working together, praising and criticizing each other's work, borrowing—and changing—each other's plots and characters, recording their different perceptions of their common world. From Dryden's praise of Anne Killigrew, through Gay's and Lady Mary Wortley Montagu's collaboration on a town eclogue, Thomas Southerne's dramatizations of novels by Aphra Behn, and Eliza Haywood's version of the Spectator, to Cornelia Knight's seque...
First Feminists
" "Moira Ferguson has selected wisely from well-known and little-known figures and from fiction, polemic and poetry to illustrate the long and diverse history of feminist reflection up to and including Mary Wollstonecraft.... Good reading for scholars and a fine book for classroom use." -- Natalie Zemon Davis." -- from back cover.
The Well-ordered Universe
The prolific Margaret Cavendish (1623-1673) published books on natural philosophy as well as stories, plays, poems, orations, allegories, and letters. Her mature philosophical system offered a unique panpsychist theory of Nature as composed of a continuous, non-atomistic, perceiving, knowing matter. In contrast to the dominant philosophical thinking of her day, Cavendish argued that all matter has free will and can choose whether or not to follow Nature's rules. The Well-Ordered Universe explores the development of Cavendish's natural philosophy from the atomism of her 1653 poems to the panpsychist materialism of her 1668 Grounds of Natural Philosophy. Deborah Boyle argues that her natural p...
Women of Letters, Manuscript Circulation, and Print Afterlives in the Eighteenth Century
Using unpublished manuscript writings, this book reinterprets material, social, literary, philosophical and religious contexts of women's letter-writing in the long 18th century. It shows how letter-writing functions as a form of literary manuscript exchange and argues for manuscript circulation as a method of engaging with the republic of letters.
The English Fable
Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.
Henry Fielding's Novels and the Classical Tradition
In this study, author Nancy A. Mace rectifies the lack of scholarly attention given Henry Fielding's use of the classical tradition in his novels, periodical essays, and miscellaneous writings. Although scholars have extensively studied the affinities between Henry Fielding's novels and such modern genres as the romance, travel literature, and criminal biography, they have paid surprisingly little attention to his use of the classical tradition in developing both his narrative theory and practice.
