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Nothing has so radically transformed the world as the distinction between true and false religion. In this nuanced consideration of his own controversial Moses the Egyptian, renowned Egyptologist Jan Assmann answers his critics, extending and building upon ideas from his previous book. Maintaining that it was indeed the Moses of the Hebrew Bible who introduced the true-false distinction in a permanent and revolutionary form, Assmann reiterates that the price of this monotheistic revolution has been the exclusion, as paganism and heresy, of everything deemed incompatible with the truth it proclaims. This exclusion has exploded time and again into violence and persecution, with no end in sight. Here, for the first time, Assmann traces the repeated attempts that have been made to do away with this distinction since the early modern period. He explores at length the notions of primary versus secondary religions, of "counter-religions," and of book religions versus cultic religions. He also deals with the entry of ethics into religion's very core. Informed by the debate his own work has generated, he presents a compelling lesson in the fluidity of cultural identity and beliefs.
Words with Power is the crowning achievement of the latter half of Northrop Frye's career. Portions of the work can be found in Frye's notebooks as far back as the mid-1960s when he had just finished Anatomy of Criticism, and he completed the book shortly before his death in 1991. Beyond summing up his ideas about the relation of the Bible to Western culture, Words with Power boldly confronts a host of questions ranging from the relationship between literature and ideology to the real meaning of words like 'spirit' and 'faith.' The first half of the 'double mirror' structure looks at the language in which the Bible is written, arguing that it is identical to that of myth and metaphor. Frye s...
Covering television, film, radio and theatre, the Dictionary of Media Studies includes thousands of words and expressions used in the media and entertainment industries. Whether someone wants to find out the definition of cinema verite or the components of a storyboard, this dictionary has all the answers. Handy supplementsinclude details of media law in the UK, contact and circulation details for major magazines and newspapers, and a list of key media resources on the Web. "Ideal for the 100,000 students of media studies at GCSE and above." Publishing News
Troeltsch seeks to determine how much the ÒModern SpiritÓ of the early twentieth century actually owed to Protestantism. Troeltsch then proceeds to a comparison between the essential spirit of Protestantism and the Modern Spirit. The book focuses on the practical: ethical, political, and economic.
This is a practical and imaginative addition to the New Headway. It helps students to express themselves clearly and confidently by training them in the key areas of pronunciation. There is practice of individual sounds, with a guide to suitable exercises for speakers of particular languages. There is a focus on lexical sets. Training is given in stress and intonation patterns for accurate, functional use. Help is provided with the features of connected speech.
Making History Count introduces the main quantitative methods used in historical research. The emphasis is on intuitive understanding and application of the concepts, rather than formal statistics; no knowledge of mathematics beyond simple arithmetic is required. The techniques are illustrated by applications in social, political, demographic and economic history. Students will learn to read and evaluate the application of the quantitative methods used in many books and articles, and to assess the historical conclusions drawn from them. They will also see how quantitative techniques can open up new aspects of an enquiry, and supplement and strengthen other methods of research. This textbook will encourage students to recognize the benefits of using quantitative methods in their own research projects. The text is clearly illustrated with tables, graphs and diagrams, leading the student through key topics. Additional support includes five specific historical data-sets, available from the Cambridge website.
This book explores the thought of Jacques Derrida as it relates to the tradition of apophatic thought—negative theology and philosophy—in both Western and Eastern traditions. Following the Introduction by Toby Foshay, two of Derrida's essays on negative theology, Of an Apocalyptic Tone Newly Adopted in Philosophy and How to Avoid Speaking: Denials, are reprinted here. These are followed by essays from a Western perspective by Mark C. Taylor and Michel Despland, and essays from an Eastern perspective by David Loy, a Buddhist, and Harold Coward, a Hindu. In the Conclusion, Jacques Derrida responds to these discussions.
"The story of a long rebellion and the struggle to understand it. The rebel is Mundo, the embittered offshoot of a family split down the middle. The attempt to understand him falls to Lavo, a hard-working orphan who betters himself under the influence of Mundo's father.However, the symbolic heart of the book lies not so much in Manaus and the final years of a boom produced by the merciless exploitation of the forest, but further down the great river, in Vila Amazonia, the centre of a jute plantation and Mundo's worst nightmare.In his lifelong struggle to escape from his father's dynastic ambitions, Mundo distances himself as much as possible from this dead-centre of the novel, taking the plot to Rio de Janeiro and the effervescent worlds of Berlin and London in the 1970s. This beautiful, mature and bitter novel is the extraordinary result." -- BOOK JACKET.