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I Am Sovereign
__________________________________________ 'One of the funniest, most finely achieved comic novels, even by her own standard ... I think it’s a masterpiece.' ALI SMITH ‘I think Nicola Barker is incapable of a dull page. [Her work] is unified by its spirit of adventure.’ KEVIN BARRY How long does it take to change the world? Could it happen in approximately twenty minutes? Charles, a forty-year-old teddy bear maker, is trying to sell his late mother's house, helped by his estate agent Avigail (who thinks Charles is an imbecile). The prospective buyers: the fearsome Wang Shu - who has no desire to make idle chit-chat - and her downtrodden daughter, Ying Yue. During the twenty-minute view...
Bulletin
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Advances in Nutritional Research
Advances in Nutritional Research was conceived by the Public and Professional Information Committee of the American Institute of Nutrition as a service to the membership of the Institute and to others engaged in research and teaching in the nutritional sciences. This publication, which will consist of a series of annual volumes, is in tended to serve primarily as a source of authoritative information on the status of research on topics of active current investigation. In addition, it will contain reviews on subjects of research that have been characterized by progressive, if unspectacular, developments over a period of years. The coverage will extend to basic research in human, animal, and m...
Army Register
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The English Reports
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The Palaeotypography of the French Renaissance
This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.
Proceedings
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