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H(A)PPY
*WINNER OF THE GOLDSMITHS PRIZE 2017* *SHORTLISTED FOR THE GORDON BURN PRIZE 2018* *LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018* A GUARDIAN BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR AN INDEPENDENT BOOK OF THE YEAR From the internationally acclaimed, Man Booker-shortlisted Nicola Barker comes a new novel, a post-post apocalyptic story that overflows with pure creative talent. Imagine a perfect world where everything is known, where everything is open, where there can be no doubt, no hatred, no poverty, no greed. Imagine a System which both nurtures and protects. A Community which nourishes and sustains. An infinite world. A world without sickness, without death. A world without God. A world without fear. Could you...might you be happy there? H(A)PPY is a post-post apocalyptic Alice in Wonderland, a story which tells itself and then consumes itself. It's a place where language glows, where words buzz and sparkle and finally implode. It's a novel which twists and writhes with all the terrifying precision of a tiny fish in an Escher lithograph – a book where the mere telling of a story is the end of certainty.
Darkmans
From the author of The Yips and Burley Cross Postbox Theft comes an epic novel of startling originality.
I Am Sovereign
__________________________________________ 'One of the funniest, most finely achieved comic novels, even by her own standard ... I think it’s a masterpiece.' ALI SMITH ‘I think Nicola Barker is incapable of a dull page. [Her work] is unified by its spirit of adventure.’ KEVIN BARRY How long does it take to change the world? Could it happen in approximately twenty minutes? Charles, a forty-year-old teddy bear maker, is trying to sell his late mother's house, helped by his estate agent Avigail (who thinks Charles is an imbecile). The prospective buyers: the fearsome Wang Shu - who has no desire to make idle chit-chat - and her downtrodden daughter, Ying Yue. During the twenty-minute view...
The Cauliflower
None
In the Approaches
‘Open yourself up again to all that terrible light and savage bliss and deafening reverberation ...’
Wide Open
'Wide Open' is about stripping off layers of prejudice and lies, about the possibility of redemption, about laying bare the truth. It is also about coming to terms with the past, and the fantasies people construct to protect their inner selves.
Nicola Barker
Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites ...
Small Holdings
An attractive park in Palmers Green plays host to Phil, a chronically shy gardener who feels truly at home only with his plants. In love with the truck-obsessed Nancy, Phil strives nobly to maintain his equilibrium despite being systematically mystified, brutalised, drugged, derided and seduced.
Behindlings
The breakthrough novel from one of the greatest comic writers in the language – one of the twenty selected by Granta as the Best of Young British Writers 2003.
Not The Marrying Kind
Not the Marrying Kind is a new and comprehensive exploration of the contemporary same-sex marriage debates in several jurisdictions including Australia, Canada, South Africa, the United Kingdom and the United States. It departs from much of the existing scholarship on same-sex marriage, which argues either for or against marriage for same-sex couples. Instead, this book begins from a critical analysis of the institution of marriage itself (as well as separate forms of relationship recognition, such as civil partnership, PaCS, domestic partnership) and asks whether and how feminist critiques of marriage might be applied specifically to same-sex marriage. In doing this, the author combines the theories of second wave feminism with insights from contemporary queer theory.
