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A NEW YORKER “ESSENTIAL READ” “Just as awe-inspiring as the Nobel judges claimed.” – The Washington Post “Olga Tokarczuk is one of our greatest living fiction writers. . . This could well be a decade-defining book akin to Bolaño’s 2666.” –AV Club “Sophisticated and ribald and brimming with folk wit. . . The comedy in this novel blends, as it does in life, with genuine tragedy.” –Dwight Garner, The New York Times LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE WALL STREET JOURNAL, TIME, THE NEW YORKER, AND NPR The Nobel Prize–winner’s richest, most sweeping and ambitious novel yet follows the comet-like rise and...
The family today is confronted with pressures that pull it in many directions, resulting in much misunderstanding and poor communication. This book illustrates how these problems are not unique to our time. As Dr. Wallace guides readers through Genesis 24-36, the similarities between problems then and now become evident. Wallace discusses how family relationships - husband and wife, parents and children, brothers an sisters - were experienced in the beginning and the role faith played in their wholesome development.
The biblical author had to demonstrate that the founding fathers of the model civilization-envisioned in Mosaic legislation intended as a model for emulation by other peoples and nations-were recognizably human-flawed as all humans are. One can empathize with Isaac or Jacob who are seen to be human with their faults and frailties-which one cannot do with a superhuman being. These stories illustrate dramatically there are no characters of mythic proportions, no superheroes, only normal people living in dysfunctional families, erring, doing acts that are occasionally senseless, and often embarrassing. Yet, these same people passed on an intellectual and spiritual heritage that will ultimately ...
Max Jacob, central figure of early 20th-century Parisian bohemia along with Picasso and Apollinaire, was active at the emergence of Fauvism, Cubism, Futurism, Dada and Surrealism. But in spite of his close connections with modernism - epitomized by his seminal book of prose poems Le Cornet a des (1916) - Jacob remains a marginal figure. His Breton-Jewish otherness, conversion to Catholicism, and death under the Nazis in 1944 adds to the enigma and shifts the critical focus further still. But Jacobs poetic playfulness - his many-faceted irony, wordplay, narrative heterogeneity, tragi-comedy, self- reflexivity and polyphony - may begin to offer insights into his esprit createur, which, true to the (post)modernist vision, is not to be found in the usual ways. For the aim of Max Jacob, connoisseur of traditional storytelling as well as spearhead of the literary vanguard, is to jolt the unconscious, the energetic kernel of creativity.
Jacob of Edessa is considered the most learned Christian of the early days of Islam. Exactly 1300 years after his death in 708, fifteen articles written by prominent specialists sketch a fascinating picture of his life and times.
Jacob Taubes is one of the most influential figures in the more recent German intellectual scene—and beyond; with crucial contributions to hermeneutics, political theory, and phenomenology of time and the philosophy of (Jewish) religion, to name but of few areas in which the highly controversial Taubes was active.
In this study, Andrew Tobolowsky offers a new approach to biblical descriptions of the tribes of Israel as the "sons of Jacob". He reveals how shifting assumptions about early Israelite history and the absence of references to Jacob in most accounts of the tribes make it unlikely that this understanding was part of early tribal discourse. Instead, drawing on extensive similarities between the role Jacob's children plays in the biblical narrative and the role that shared descent from figures such as Hellen and Herakles play in the construction of ancient Greek histories, Andrew Tobolowsky concludes that the "tribal-genealogical" concept was first developed in the late Persian period as a tool for the production of a newly integrated, newly coherent account of a shared ethnic past: the first continuous biblical vision of Israelite history from Adam to the fall of Jerusalem and beyond.