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Život
  • Language: hr
  • Pages: 1134

Život

  • Type: Book
  • -
  • Published: 1968
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  • Publisher: Unknown

None

Vazni uzroci s kojih gospodina isukrsta ... nada sve ljubiti moramo ...
  • Language: hr
  • Pages: 320

Vazni uzroci s kojih gospodina isukrsta ... nada sve ljubiti moramo ...

  • Type: Book
  • -
  • Published: 1864
  • -
  • Publisher: Unknown

None

Zivot
  • Language: hr
  • Pages: 1134

Zivot

  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

(K)eine gemeinsame Sprache?
  • Language: de
  • Pages: 463

(K)eine gemeinsame Sprache?

Discusses, inter alia, antisemitism in Slavonia and the political events of the Holocaust in the Independent State of Croatia, the puppet state founded by Nazi Germany in 1941. Argues that the Nazis' rise to power in Germany caused the German-Jewish symbiosis in Slavonia to disintegrate once and for all. Antisemitism had been widespread among local Germans already before the outbreak of the war in 1914. Antisemitic tendencies appeared in the 1920s, subsided for a while, and then broke out with full force in 1940, when all cooperation between Germans and Jews in Slavonia came to a halt. In 1941-42 almost all the Jews in Slavonia, including its largest city, Osijek, were murdered. This happened through cooperation between the Ustaše regime and the Reichssicherheitsamt. The Deutsche Volksgruppen organization also participated in the anti-Jewish propaganda and the Aryanization process, and some worked as guards in the concentration camp in Loborgrad. The fact that this group had the same mother-tongue as the Jews did not prevent them from participating in the persecutions. However, some German-speaking Croatians did oppose the killings.

Le livre slovène
  • Language: en
  • Pages: 476

Le livre slovène

  • Type: Book
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  • Published: 1981
  • -
  • Publisher: Unknown

None

SRĐ
  • Language: sr
  • Pages: 252

SRĐ

  • Type: Book
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  • Published: 1908
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  • Publisher: Unknown

None

The Singer of Tales in Performance
  • Language: en
  • Pages: 264

The Singer of Tales in Performance

Building on his work in Traditional Oral Epic and Immanent Art, the author aims to dissolve the perceived barrier between oral and written, creating a theory from oral-formulaic theory and the ethnography of speaking and ethnopoetics. He argues that a work's word-power derives from its performance and its implied traditional context.

AKASHVANI
  • Language: en
  • Pages: 73

AKASHVANI

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...

Singing the Classical, Voicing the Modern
  • Language: en
  • Pages: 367

Singing the Classical, Voicing the Modern

While Karnatic music, a form of Indian music based on the melodic principle of raga and time cycles called tala, is known today as South India’s classical music, its status as “classical” is an early-twentieth-century construct, one that emerged in the crucible of colonial modernity, nationalist ideology, and South Indian regional politics. As Amanda J. Weidman demonstrates, in order for Karnatic music to be considered classical music, it needed to be modeled on Western classical music, with its system of notation, composers, compositions, conservatories, and concerts. At the same time, it needed to remain distinctively Indian. Weidman argues that these contradictory imperatives led to...

Who's Who in Contemporary Women's Writing
  • Language: en
  • Pages: 416

Who's Who in Contemporary Women's Writing

  • Type: Book
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  • Published: 2019-07-23
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  • Publisher: Routledge

Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.